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Archive for August, 2010

Tuesday, August 31, 2010

The Sword- Warp Riders (Album Review)

With its Hawkwind-esque cover art and baffling sci-fi concept (something about an exiled archer’s quest to restore the balance of his home planet), you can’t accuse The Sword of pandering to the hipster-metal (shudder) demographic on this, their third full-length. On the contrary, ‘Warp Riders’ tones down the brazen Sabbath worship of old, instead plunging headlong into the realm of southern-fried hard rock – just check out strutting lead single ‘Tres Brujas’. Have no fear, though, as the riffs remain as ample and hard-hitting as ever, and with Matt Bayles (Isis, Mastodon) handling the production, The Sword have never sounded better.

Arcade Fire and Google Release interactive film for Chrome browser

“We don’t know exactly what to call the online collaboration between Arcade Fire and Google that launched Monday morning, but it sure is neat.”–WIRED

“The Wilderness Downtown,” an interactive film by Chris Milk featuring “We Used To Wait” from Arcade Fire’s new album The Suburbs can be experienced now at

Taking its name from a lyric from the aforementioned song–“so when the lights cut out, I was lost, standing in the wilderness downtown”–“The Wilderness Downtown” exemplifies the Google “Chrome Experience” and HTML5 technology, cueing the opening of multiple browser windows, visually incorporating viewers’ childhood addresses (if they are available via Google Street View) , allowing the viewers to write and share messages to their younger selves and more.

John Lennon’s Toilet Sells for Over $15,000 at Auction

Unorthodox Beatles memorabilia has gone on the auction block for years. For instance, a wooden sculpture of a cupboard designed by John Lennon pulled down £28,200 (over $43,000 US) back in 2003. But the Fab Four memorabilia market really went to new extremes on Saturday when a fan flushed down a cool $15,500 for a toilet belonging to the late, great Lennon.

According to Jam! Showbiz, the commode had once been a part of Lennon’s Tittenhurst Park estate in Berkshire, England, which he bought in 1969. In 1972, the unique toilet, which had blue flowers painted on it, was given to a contractor by the musician during a renovation. Lennon purportedly told the contractor to “put some flowers in it.”

“The toilet might be worth something and it might not, but it is certainly one of the more unusual items we’ve sold,” auction organizer Steven Bailey told the Daily Telegraph in advance of its sale. Although it only expected to bring in $1,600, a bidding frenzy elevated the price to 10 times that amount when it ultimately went to a private overseas buyer.

Lennon’s porcelain hopper was among 303 lots auctioned off over the weekend at the 33rd annual Beatle Week Festival in Liverpool.

Monday, August 30, 2010

Interpol: “Barricade” (Video)

“Barricade,” from Interpol’s upcoming self-titled album (Flash Required)

Silicon Valley’s secret rock star

Offices are full of people with past lives — and for more than two decades James Williamson kept his a secret. Before retiring last year, Williamson was the vice president of technology standards at Sony Electronics, where he traveled around the world developing compatibility guidelines for products. Former colleagues describe him as calm and analytical. He looks the part of a Silicon Valley exec — short white hair, suit jacket — and enjoys vacationing in Hawaii and playing tennis. A few years ago he took up the ukulele and the slack-key guitar. It was his first time picking up an instrument, he says, since the 1970s, when he played guitar for the Stooges, one of the most famous punk-rock bands of all time. (That would be his secret.)

Williamson wasn’t ashamed of his rock-and-roll past — he just didn’t bring it up, he says, and his co-workers didn’t ask. Even the Stooges fans in the office would have been hard-pressed to make the connection between the strait-laced Sony (SNE) executive and the guitarist whose band members were known for violent antics like rolling in broken glass onstage and flashing the audience. So for years Williamson kept quiet, shunning interview requests until rumors of his new career began popping up on the Internet in the late ’90s. After he agreed to appear on a VH1 program about the Stooges, his colleagues began to ask, tentatively, whether he was the guy from the band.

“I was sitting across the table from our deputy general counsel, who’s a huge music fan, and he asked, ‘Are you James Williamson from the Stooges?'” says Williamson. “It blew his mind.” (The counsel, Christopher Ekren, says he always knew his co-worker’s secret.)

Others were more taken aback. “James doesn’t look like an entertainment guy,” says Toshimoto Mitomo, Sony’s senior vice president of intellectual property. “He looks better in a suit than anyone else.”

Raw Power: Iggy and Williamson in Detroit in 1973

Before Williamson was a tech-world bigwig or a famous musician, he was a rebellious kid in Michigan whose next-door neighbor taught him how to play the guitar. He joined his first band when he was 14, shortly before being sent to juvie for refusing to cut his hair (“I said to myself, What would Bob Dylan do?”). A few years later he met a local musician named Jim Osterberg, who also went by Iggy Pop. Iggy was impressed by Williamson’s muscular playing style — “He had more advanced skills than any of us,” he says — and invited him to join the Stooges. Some of the band members struggled with alcohol and drug abuse, and they went on hiatus until David Bowie got them a record deal. In 1972 they recorded Raw Power, an album that showcased Williamson’s aggressive riffs and songwriting.

While Raw Power is now seen as a milestone in punk rock, when it came out, critics and music fans didn’t know what to make of it. The fierce sounds and choppy song structures were wildly different from the glam rock that was popular in the early ’70s, and the album sold only a few thousand copies initially, by Williamson’s estimates. After finishing Raw Power, the Stooges toured for a couple of years, playing for small, rabid audiences until Iggy had a meltdown. The band broke up again, and Iggy made a couple of solo albums with Bowie that included hits like 1977’s “China Girl.” He asked Williamson to work with him again, but the duo clashed over aesthetics while collaborating on 1980’s Soldier and parted ways. They wouldn’t see each other for 20 years.

It was around that time that Williamson lost interest in playing the guitar and developed a passion for computers. “It was exciting in the way that rock and roll used to be for me,” he says. He enrolled in California State Polytechnic, where he studied electrical engineering. After graduating, he took a job at semiconductor maker Advanced Micro Devices. He got married, had kids, and worked his way up the corporate ladder, eventually landing at Sony in 1997.

Aside from the occasional query from his teenage son’s friends, Williamson rarely confronted his old identity; it remained in the past, surfacing only in gritty YouTube footage and Stooges retrospectives. Things might have stayed that way had he not decided in 2001 to watch Iggy play a solo concert in the Bay Area. Iggy remembers his backstage encounter with Williamson: “I thought, boy — he looks great. He looked clean-cut,” he says. “Before he left, he said to me, ‘Yes, Jim, it’s true: I’m a nerd.'”

They stayed in touch. Williamson told Iggy when he was named to the board of the IEEE, the Institute of Electrical and Electronics Engineers, and Iggy joked that the former guitarist was also on the board of the “IGGY.” The Stooges reunited in 2003 and toured until January 2009, when their original guitarist, Ron Asheton, died. Iggy called Williamson and asked whether he would consider rejoining the band to recreate the lineup from Raw Power. Williamson initially said no, but he kept thinking about the offer. “The band couldn’t do this without me,” he says. “They were running out of Stooges.” A couple of months later he decided to take an early retirement package from Sony and spent the next few months practicing with local musicians.

“The band couldn’t do this without me”: Williamson and Iggy Pop at London’s Hammersmith Apollo in May.

The guitarist, now 60 years old, hasn’t completely switched gears again; he still consults with Sony during the day and keeps in touch with his former colleagues, some of whom have attended Stooges shows. The band, which was inducted into the Rock and Roll Hall of Fame last spring, now performs for arena-size crowds — a far cry from the cramped, jeering rooms they used to play in. Williamson is currently touring in Europe. He says his return to rock music, while somewhat belated, has been seamless. “I was like Rip Van Winkle,” he says. “I woke up, and it was a different time, but it was the same me.” Only this time, he adds, he wears a suit jacket onstage.

Saturday, August 28, 2010


This Saturday August 28th at Smarty Pants in the Georgetown neighborhood of Seattle, WA. DJ Kingblind, DJ Teenage Rampage and DJ Self-Administered Beatdown will be spinning at our new DJ night…


Here are the details,

Kings of the Vinyl Frontier is a DJ night on the last Saturday of every month for vinyl lovers at Smarty Pants in the georgetown neighborhood of Seattle. ( That means we are playing nothing but vinyl.. No CD’s, No MP3’s and No Serato.. Just 100% vinyl )

Every month our theme for the night changes. This month’s theme is: (Decade night- 70’s Anything goes.. As long as it’s from the 70’s)

Cost: 100% free
Date: Saturday August 28th 2010
Time: 8pm till closing

Please check out the website for complete details and directions

Kings of the Vinyl Frontier (At Smarty Pants)
6017 Airport Way S, Seattle, WA. 98108
(206) 762-4777

Monday, August 23, 2010

Kingblind vacation this week

Hey Kids,
We are on vacation this week.. Posts will return on Friday Aug 27th.. See ya’ at the end of the week..

Friday, August 20, 2010

Interpol: ‘Carlos D had his foot out the door in 2007’

Interpol have said that their former bassist Carlos Dengler had his “foot out the door” even when they were working on their 2007 album, ‘Our Love To Admire’.

Dengler left the band earlier this year after completing work on the band’s self-titled fourth album.

Drummer Sam Fogarino told NME that the move wasn’t a bolt from the blue. “Carlos had his foot out the door a long time ago,” he explained. “Even on the last record.”

He added: “His conflict rested in the fact that he enjoyed writing and recording music with the band. It’s doing interviews and the travelling roadshow that he didn’t want.”

‘Interpol’ is out on September 13.

The Antlers: “Sylvia” (Live On KEXP) (Video)

(flash required)

Big Boi Routes U.S. Tour

In support of one of our favorite albums of the year “Sir Lucious Left Foot: The Son of Chico Dusty” Big Boi brings one of the best live hip hop shows around to the good ol’ US of A.. Don’t miss this kids

Big Boi:

08-18 Miami, FL – Sobe Live
08-19 Salt Lake City, UT – Twilight Concert Series
08-26 Atlanta, GA – Verizon Wireless Amphitheater
09-02 Iowa City, IA – University of Iowa
09-04 Atlanta, GA – Heineken Red Star Soul
09-05 Atlantic City, NJ – Casbah
09-06 New York, NY – Brooklyn Bowl
09-17 Chicago, IL – Congress Theater
09-18 Providence, RI – Brown University
09-22 Arcata, CA – Arcata Community Center
09-23 San Francisco, CA – Regency at Grand Ballroom
09-24 Las Vegas, NV – The Palms Casino
09-25 Fontana, CA – Epicenter
09-28 Atlanta, GA – The Tabernacle
10-01 Bloomington, IN – Indiana University
10-08 Columbia, SC – University of South Carolina
10-15 San Diego, CA – UC of San Diego
10-23 Seattle, WA – Showbox Sodo
10-28 Charleston, SC – Charleston Visitors Center
10-29 Asheville, NC – Asheville Civic Center (Moogfest)
10-30 Houston, TX – Tom Bass Park Amphitheater
11-12 Chattanooga, TN – University of Tennessee at Chattanooga
11-18 Sydney, Australia – Fox Studios

Thursday, August 19, 2010

Watch: Cannibalistic New of Montreal Video: “Coquet Coquette”

(Flash Required)

Wyclef Jean in hiding after Haiti death threat

Wyclef Jean has gone into hiding after receiving alleged death threats in Haiti.

The former Fugees man is waiting to find out if his application to run to be president of the country has been accepted. He told the Associated Press he was hiding in a secret location following intimidating messages telling him to leave the country.

He did not reveal further details of the threat.

Jean is waiting to find out if he is eligible to run for the position. Under the country’s rules the musician, who was raised in Brooklyn, must have lived in Haiti for five years in a row.

He said: “We await the CEP [electoral commission] decision but the laws of the Haitian constitution must be respected.” The election is scheduled for November 28.

The 10 Worst Music Industry Deals in the last decade

(1) Terra Firma’s acquisition of EMI, $4.7 billion (2007)
Even Guy Hands admits he made a colossal mistake on this one. One of the last super-leveraged buyouts before the bust, EMI has now become a $4.7 billion-plus toxic mess for Terra Firma.

(2) CBS’ acquisition of, $280 million (2007)
Scrobbling is cool and all – and this is still a very cool site – but few would “recommend” this deal today. Amidst predictable ad monetization challenges, the company has since switched to pay-only in certain European countries, outsourced full-length videos, and bid adieu to the original founders.

(3) Bertelsmann’s investments in Napster, $100 million (2000-onward)
In retrospect, Bertelsmann was the forward-thinking maverick. But in the moment, that stance created a legal sinkhole for the company, accused of facilitating widespread infringement by keeping the P2P alive. The in-fighting lasted years before expensive settlements torpedoed Bertelsmann with hundreds of millions in losses.

(4) acquisition by Vivendi, $372 million (2001)
Before MySpace was even conceptualized, was setting huge records for IPO valuations, label lawsuits, and band profiles. Problems quickly followed the inflated purchase, and the site was quickly dumped by Vivendi Universal in 2003.

(5) The Robbie Williams 360-Degree Deal, $160 million (2002)
Williams loves being able to walk the streets of Los Angeles without being recognized. EMI, which structured the pricey deal, is somehow less thrilled by that freedom.

(6) The Sony BMG Joint Venture (2004)
The 50-50 JV was like “tying two sinking rocks together,” according to one executive, and this seemed like a dead weight from the beginning. Bertelsmann walked away, and the combination was ultimately purchased by partner Sony Music Entertainment by 2008.

(7) WMG’s Investment in Imeem (2009)
“We do not intend to make more digital venture capital investments,” WMG chairman Edgar Bronfman told investors after suffering a $16 million write-off on Imeem in 2009. MySpace subsequently scooped the property for well under $1 million.

(8) WMG’s Purchase of Bulldog Entertainment, $16 million (2007)
Bulldog Entertainment Group was best known for coordinating tony concerts in the Hamptons. The company eventually cratered with estimated losses of $30 million.

(9) Any Deal Involving PlaysforSure…
This was a mistake that caused endless suffering, for music service (Yahoo Music, MTV Urge, Wal-Mart), player (Sony, SanDisk, Samsung), and consumer alike. In fact, even Microsoft bailed on its DRM-heavy solution with the launch of Zune.

(10) Best Buy’s Exclusive on Chinese Democracy…
Some comebacks are better than others, and Best Buy was left carrying a truckload of Guns N’ Roses CDs. That did little to kill the big box exclusive, however, as plenty of big-name artists have used the concept to shift serious tonnage.

Wednesday, August 18, 2010

Download Deerhunters live show from NYC’s Pier 54 (Including new songs)

Deerhunter played a load of new songs when they played at NYC’s Pier 54 last week. For those that missed it, NYCTaper was there to record the whole set, which is available for download now. Sweet!

01 Desire Lines *
02 Hazel Street
03 Revival *
04 Rainwater Cassette Exchange
05 Never Stops
06 Spring Hall Convert
07 Fountain Stairs *
08 Wash Off
09 Fluorescent Grey
10 Helicopter *
11 [encore break]
12 Cover Me (Slowly)
13 Agoraphobia
14 Nothing Ever Happened
* new songs

Pink Floyd withdraw classic albums online

Pink Floyd have pulled the plug on digital sales of some of their most famous albums following the expiration of their publication contract with EMI, according to reports.

It means for the time being that tracks like Roger Waters-era classics such as ‘The Wall,’ ‘Animals,’ ‘Wish You Were Here’ and ‘The Final Cut’ are no longer available online. However representatives of the band are currently trying to negotiate a new deal that would see their entire back catalogue made available on the internet.

As reported by Spinner, the band won a high court battle with EMI in the spring over unpaid download royalties and the selling of their tracks individually, something the band has always seen as detrimental to their creative vision.

With their music still generating impressive numbers – sales of ‘The Wall’ amount to 1.5 million in the US alone since EMI took it on in 2000 – the band are likely to have no shortage of offers.

As EMI hold the licence for some of the band’s earlier output, the likes of ‘The Piper at the Gates of Dawn’ and ‘Dark Side of the Moon’ still remain available to download.