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Archive for March, 2009

Tuesday, March 31, 2009

Radiohead, Arctic Monkeys Top Readings And Leeds Lineups

Radiohead will play the Reading and Leeds festivals for the first time.

Radiohead, Arctic Monkeys and Kings of Leon have been confirmed as the headline acts at the U.K.’s twinned Reading and Leeds Festivals.

The festivals will held at Little Johns Farm, Reading and Bramham Park, Leeds, over England’s August Bank Holiday weekend (Aug. 28-Aug. 30).

Other bands confirmed for the two shows include Kaiser Chiefs, the Prodigy, Yeah Yeah Yeahs. Vampire Weekend, Placebo, Fall Out Boy, Bloc Party, Deftones, Funeral for a Friend, Maximo Park, Ian Brown, Friendly Fires, Gallows, the Courteeners, White Lies, Gossip, Florence and the Machine and Glasvegas.

The big news, however, is Radiohead making its debut headline performance at Reading and Leeds Festival. The shows will be Radiohead’s only U.K. festival appearance of 2009. The Oxford-based band last played Reading Festival in 1994 and will perform at Leeds on Saturday Aug. 29 then close the Reading leg of the festival the following night.

King of Leon’s headline appearances on Friday Aug. 28 at Reading and Sunday Aug. 30 in Leeds also mark the band’s only English festival dates and will form their final U.K. shows of 2009.

Arctic Monkeys headline slot, meanwhile, will be the band’s first U.K. live dates since December 2007. The band headlines Leeds on Friday Aug. 28 and Reading the following night.

To combat scapling, festival organizers Festival Republic also announced Monday that they have signed a deal with secondary ticketing company Viagogo to become the official secondary ticketing and ticket exchange partner of the Reading, Leeds and Latitude Festivals. The Latitude festival in Southwold, Suffolk, with headliners Pet Shop Boys, Grace Jones and Nick Cave & the Bad Seeds takes place July 16-19.

Marking the first time that a major music festival has signed a partnership with a secondary ticketing partner, Viagogo will allow fans to legitimately buy and sell tickets in a secure online environment. A physical pick-up point will also exist at the Leeds and Latitude festival sites and Reading town center to allow fans to personally collect their tickets.

Outkast’s Andre 3000 Arrested For Driving 109 MPH

MC was reportedly arrested and released outside Atlanta early Saturday.

Outkast’s Andre 3000 (real name: Andre Benjamin) was arrested near Atlanta Saturday for driving his 2007 Porsche Carrera at such a high speed that police called him “an accident waiting to happen,” according to Atlanta’s WSB-TV, TMZ and AllHipHop.com.

A police officer told the station that the MC was clocked at 109 MPH on Saturday morning, significantly over the 65-mph speed limit, on Interstate 75, and was arrested for the danger he posed.

“Traveling that fast along 75, you’re passing people as if they’re standing still,” Henry County Police Captain Jason Bolton told the station. “It’s an accident waiting to happen.”

The MC was released after posting $1,200 bail, according to TMZ. He is scheduled to appear in court on April 29.

Reps for Benjamin had not responded to MTV News’ requests for comment at press time.

The arrest comes as State Representative Jim Cole is lobbying for a new “Super Speeder” bill to be passed in the state of Georgia. The law will force violators to pay an additional $200 fine for driving at more than 85 miles an hour on highways and four-lane roads. Georgia Governor Sonny Perdue has said he supports the bill and intends to sign it into law in the coming months.

Representative Cole told WSB that he hopes Benjamin will help rally support behind the bill.

“He might be willing to help us market it,” Cole told the station.

Monday, March 30, 2009

Animal Collective: Live in Amsterdam (Full Concert Video)

A couple of weeks ago, Animal Collective played the Paradiso in Amsterdam, and the Dutch website 3VOOR12 has some nice multi-camera video with good sound. CLICK TO VIEW

Mogwai: “Mogwai Fear Satan” (Live on La Blogotheque) (Video)

Oasis, Smiths, Joy Division subject of new book

Oasis, The Stone Roses, Joy Division and The Smiths all feature in a new book charting the last thirty years of Manchester music.

‘The North Will Rise Again: Manchester Music City 1978-2008′, penned by journalist and Goldblade frontman John Robb, is published tomorrow (March 30).

The book details Manchester’s punk, Madchester and present day scenes and features interviews with a number of the city’s most famous musicians.

Morrissey, Ian Brown, Noel and Liam Gallagher and The Fall frontman Mark E Smith are among the contributors to the book, alongside Johnny Marr, Happy Mondays man Shaun Ryder and the late Factory Records boss Tony Wilson.

“I’ve spoken to just about everybody. In fact, the biggest problem has been keeping it all down to a manageable size. The book is around 155,000 words long as it is and it could have been double that. Ian Brown gave me 30,000 words to work with!,” Robb told the Manchester Evening News.

Obits:: I Blame You (Album Review)

Hot Snakes, Drive Like Jehu, Edsel. They passed away peacefully years ago and got reincarnated as straight-ahead indie garage rock band Obits. In the hands of Jehu/Hot Snakes’ Rick Froberg and Edsel’s Sohrab Habibion, it’s Hot Snakes’ sound that most notably lives on. And hype suggests good old rock ’n’ roll will live on in this band.

I Blame You is mean, raw and instrumentally tight, with splashes of surf and punk. Froberg and Habibion’s twangy guitars effectively interweave in highlights Fake Kinkade and Pine On. There’s also a fun cover of Kokomo Arnold’s Milk Cow Blues that’ll make you want to take a long, angry, post-breakup road trip to a beer-swillin’ ribfest.

Friday, March 27, 2009

Black Joe Lewis – Sugarfoot (Music Video)
[youtube=http://www.youtube.com/watch?v=6UOJUbiWC5M&hl=en&fs=1]

Prince: “Dreamer” (Live on Leno) (Video)
[youtube=http://www.youtube.com/watch?v=uOzbk6L9ttc&color1=0xb1b1b1&color2=0xcfcfcf&feature=player_embedded&fs=1]

Mastodon- Crack the Skye (Album Review)

Mastodon’s past flirtations with prog have consistently pitched toward the metal side of scrimmage, never fully embracing the melodic pomp of Yes and ELP. Crack The Skye—though still intrinsically a metal album—is rife with unabashed overtures to the symphonic rock of yore. The mosaic’s central tile is “The Czar,” a four-part ode to Rasputin bursting with Moog lines and Eastern European folk. “Ghost of Karelia” briefly doffs the fox mask to revisit the band’s signature style—double-bass drums and tuneful hooks welded to inscrutable libretto: “Wrathful ones, nine eyes gaze / Holding skulls / Filled and laced / With human blood.” Yet the most progressive part of the album is the band’s restrained temperament. Amidst blistering tritone riffs and arpeggiated chords is a group keener to explore sonic harmony than crank the distortion. Crack the Skye is an epic trek across the space-time continuum, entirely on Mastodon’s terms and one mind blowing experience. Do yourself a favor and buy this album right now

Thursday, March 26, 2009

Rock Band ticks off 40 million tracks sold, $1 billion in revenue

That’s a lot of dollars. Also? A lot of Mötley Crüe. Seriously, people, calm down. As of right now Rock Band has 614 songs on offer, 269 different artists, 11 full albums, more revenue than any other game in 2008, $1 billion total in North American retail sales, 40 million tracks sold, and unhindered wallet access to countless deluded human beings who think they’re rock stars. (Press Release in Full)
(via engadget)

Arctic Monkeys: Report from the Studio (Video)
[youtube=http://www.youtube.com/watch?v=dwWWn_Fob5k&rel=0&color1=0x2b405b&color2=0x6b8ab6&hl=en&feature=player_embedded&fs=1]

Wednesday, March 25, 2009

The Shins leave Sub Pop

Some big news from Sub Pop: The Shins are no longer with the label. One of the world’s biggest indie bands has parted ways with one of the world’s biggest indie labels. A label rep says the band is working on new music, but they have no idea when it’ll be out. It just won’t be out on Sub Pop. More info when we get it. (Rumor has it that a James Mercer solo record will be out first )

Meanwhile, the band has just announced a U.S. tour, their first since early 2008. Here are the tour dates:

05.02 Bellingham, WA: Western Washington University
05.04 Seattle, WA: Showbox
05.05 Seattle, WA: Showbox
05.06 Portland, OR: Crystal Ballroom
05.07 Portland, OR: Crystal Ballroom
05.09 Oakland, CA: Fox Theater
05.10 Los Angeles, CA: Hollywood Palladium
05.11 San Diego, CA: SOMA
05.13 Richmond, VA: The National
05.14 Washington, DC: 9:30 Club
05.15 Baltimore, MD: Ram’s Head Live
05.16 Philadelphia, PA: Electric Factory
05.17 Montclair, NJ: Wellmont Theater
05.18 New York, NY: Terminal Five
(pitchfork, sub pop source)

Elvis Costello goes acoustic on new album

NEW YORK (Billboard) – On Elvis Costello’s newest album, “Secret, Profane & Sugarcane,” the prolific singer-songwriter-composer returns to acoustic American roots music for the first time since his 1986 album “King of America.”

“Sugarcane,” which will be released June 2 on Hear Music, was produced by T Bone Burnett and recorded during a three-day session at Nashville’s Sound Emporium Studio. Costello and Burnett collaborated on “King of America” and 1989′s “Spike.”

Costello’s band for the project includes such Bluegrass and traditional country musicians as Jerry Douglas (dobro), Stuart Duncan (fiddle), Mike Compton (mandolin), Jeff Taylo (accordion) and Dennis Crouch (double bass). Emmylou Harris sings on one song, and Burnett adds his Kay electric guitar sound to several songs, the only amplified instrument on the album.

Ten of the album’s tracks are new Costello compositions, including two written with Burnett. One song, ” I Felt The Chill,” was written by Costello and Loretta Lynn, and two songs — “Hidden Same” and “Boom Chicka Boom” — originally were written by Costello for Johnny Cash.

The vinyl version of the album will feature two additional songs: an acoustic a arrangement of Lou Reed’s “Femme Fatale” and Costello’s sequel to an old Appalachian murder ballad, “What Lewis Did Last.”

Costello will do select tour dates with the Sugarcanes, a band featuring musicians who played on the album, in June and August.

Tuesday, March 24, 2009

All Saints: “Sheffield” (Music Video)

MIA’s baby name confirmed: Ikhyd Edgar Arular Bronfman

M.I.A. didn’t name her baby Ickitt, thank you very much.

She named him Ikhyd.

The baby’s full mouthful of a moniker, Ikhyd Edgar Arular Bronfman, was revealed on his birth certificate obtained by TMZ.

The tiny tot was was born to the 33-year-old rapper and her fiance, The Exit guitarist Benjamin Brewer, on Feb. 11 – mere days after his mom’s attention-grabbing Grammy performance on her due date.

The rapper chided “the Hollywood press” on MySpace earlier this month for incorrectly reporting on her infant son’s name.

“My baby is not called Ickitt, Pickit or Lickit thank you very much,” she wrote.

“I will be back with something newsworth soon. ‘Til then go pick on Apple, Satchel and Moon Unit.”

And Ikhyd?

Morrissey: “Black Cloud” (Live on Jimmy Fallon) (Video)
[youtube=http://www.youtube.com/watch?v=VT2uKBtqV14&color1=0xb1b1b1&color2=0xcfcfcf&feature=player_embedded&fs=1]

Monday, March 23, 2009

Rejected: Amy Winehouse’s new songs turned down

Amy Winehouse has reportedly had her new songs rejected by her record label. A source said: “Amy was very productive during her stay in St. Lucia. She wrote a lot of songs, but the majority of them just aren’t hitting the mark. She seems to have ditched her trademark vintage soul sound and is now heavily influenced by reggae. Her bosses don’t think it’s a wise move to change her style so sharply and have told her that.”

The troubled star’s demo tracks for her upcoming third album have also been criticized for being “very dark” compared to her previous hits. The source explained: “The lyrics are very dark indeed. While she’s known for her conversational style and has been very successful with it, many of the tracks are near the knuckle. In the past, she’s written frequently about broken hearts and boyfriends, but this time round she’s delving into harrowing terrain.”

Bosses are determined to ensure Amy’s upcoming album matches the success of her 2006 LP ‘Back to Black’. The source added to Britain’s The Sun newspaper: “It is crucial Amy’s return is handled properly. If she puts out a record that is in any way half-baked, that could severely damage her long-term prospects, so everyone’s focus at the minute is getting it right, even if that means telling Amy some things she probably won’t want to hear.”

THE LONELY ISLAND: Incredibad (Album Review)

Truth be told, “Incredibad” is incredidumb, which is not to say this musical project (of sorts) from “Saturday Night Live” comic Andy Samberg isn’t also incredifunny.

Many of the songs here have appeared in Samberg’s digital shorts on “SNL,” including the wildly popular bits “Lazy Sunday,” with Chris Parnell, and “D**k in a Box,” featuring Justin Timberlake. There’s also a companion DVD with clips of those two sketches and others.

Timberlake isn’t the only big name here. Jack Black, Natalie Portman, Norah Jones and T-Pain are included, too. Jones lends her dusky voice to increasingly nutty refrains, eventually involving Chex Mix, on “Dreamgirl”; Portman offers a mock-violent and utterly profane description of an average day on “Natalie’s Rap”; and T-Pain gamely makes fun of hip-hop excess on “I’m on a Boat,” warbling backing vocals through AutoTune as Samberg and fellow Lonely Island member Akiva Schaeffer rap about, well, being on a boat.

This is not high-brow humor, but then it’s not supposed to be. There are plenty of sophomoric sex jokes interspersed with scenarios that are flat-out weird, such as “Boombox,” featuring the Strokes’ Julian Casablancas. Off-kilter humor is a trademark of Samberg’s, though, and while most of the songs here won’t have much staying power, they’re funny enough right now. Also, one suspects there are plenty more where these came from.

New Jimi Hendrix Material Due As Universal Inks Publishing Deal

Universal Music Publishing Group has become the exclusive administrator of the Jimi Hendrix catalog throughout the world outside the United States.

The five-year agreement covers all commercial opportunities, including synchronization licensing for motion pictures, TV, advertising and other media.

Universal Music Publishing replaces Sony/ATV Music Publishing, which had administered the Hendrix catalog outside the United States since 1998. The U.S. publishing rights will continue to be handled by Experience Hendrix, the Seattle company formed in 1995 by the guitarist’s late father, James “Al” Hendrix, and now headed by Jimi Hendrix’s sister Janie Hendrix, who is president/CEO.

Experience Hendrix expects to release two albums later this year, including one on its Dagger “bootleg” imprint, which is sold only through its Web site. Hendrix also expects to release CDs and DVDs this fall that showcase live performances by the Jimi Hendrix Experience at London’s Royal Albert Hall, as well as behind-the-scenes footage.

When Hendrix performed February 18 and February 24, 1969, at Royal Albert Hall, a camera crew followed him for a month, yielding candid footage of him at home, about town and hanging out backstage. The result, Hendrix says, will be a “reality TV” glimpse of the legendary guitarist.

“Janie has done an amazing job of keeping the music and Hendrix’s legacy alive,” said Universal Music Publishing chairman/CEO David Renzer. “They have a great reissue program in place and they are doing a great job of protecting his legacy.”

“Overall, it was a wonderful deal they offered us,” Hendrix said. “Everything has to come through me for approval.” She added that she will ensure that any new opportunities “uphold the standard of the music.”

The Hendrix catalog — which includes such songs as “Purple Haze,” “Crosstown Traffic” and “Voodoo Child” — remains a perennial strong seller. In the United States, the catalog sells about a half-million copies annually, putting worldwide sales at 1.2 million, Billboard estimates. Song downloads of the artist’s music grew from 800,000 in the United States in 2007 to 915,000 last year, according to Nielsen SoundScan.

“Artists gravitate to his songs,” Renzer said. “He has been covered by everyone from Eric Clapton to John Mayer.”

Meanwhile, the artist’s recording catalog appears poised to continue expanding, with Hendrix noting that Experience Hendrix has “10 more years of Hendrix music” in the vaults.

“Currently, I am in the studio transferring tapes of Band of Gypsys performances that have never been released before,” she said, referring to Hendrix’s last band.

Saturday, March 21, 2009

Smashing Pumpkins Sheds Chamberlin; Billy Corgan Heads To Studio All Alone

Bill Corgan announced Friday (March 20) that he was heading into the studio to record a new Smashing Pumpkins album without any of his original bandmates. Jimmy Chamberlin, the group’s original drummer and the only Pumpkin to play with the band on its recent 20th anniversary “reunion” tour, “has left the group” according to a terse statement released on the band’s website.

The statement said, “The SMASHING PUMPKINS’ guitarist, singer, songwriter and founding member Billy Corgan has announced that drummer Jimmy Chamberlin has left the group. Chamberlin joined the band Corgan founded in Chicago in 1988 and played on all their albums except Adore (1998). Corgan will continue to write and record as SMASHING PUMPKINS with plans to head into the studio this spring.”

The band showed signs of tension at its most recent shows, with Corgan brutally berating the audience and individual fans from the stage. “Yes, the circus is back on the road,” Corgan told a crowd in New York in November. “Just when you thought drama was so ’90s.” We have to ask.. Seriously.. Who cares about this band anymore.. Anyone?

Can New MTVN Unit Put The ‘Music’ Back In ‘Music Television’?


It’s a running joke that MTV and VH1 barely play music videos anymore: both networks are more focused on airing shows like The Real World and Rock of Love that promote new music and artists as an afterthought. Fans have increasingly turned to YouTube and Yahoo Music for their music video fix, meaning fewer eyeballs for both TV networks—and a decrease in their effectiveness as a promotional medium for artists. (MTV launched its own online video portal at MTVMusic.com last October, but TV is still where the money is at.) So MTV Networks (NYSE: VIA) created a new unit whose job is to focus solely on weaving more new music into its original series, in an attempt to maintain MTV and VH1’s statuses as promotional vehicles of choice.

Joe Cuello will head up the new Creative Music Integration team as VP. Pairing original series with hot tracks has been his forte: he freelanced as a music supervisor for shows like Pimp My Ride and Making the Band, before joining MTV full-time as director of music/creative and licensing in 2006. (Rolling Stone even called him “one of the guys who makes The Hills rock.”)

The group also includes a trio of execs from both MTV and VH1, and the company says artists like pop-rock band Little Jackie have already seen tangible results from its work: Little Jackie was a featured artist in VH1’s New York Goes To Hollywood; promotions included song placements in several episodes, a free MP3 and ringtone offer, and an in-show appearance. Digital sales of the band’s single increased by 94 percent following Little Jackie’s appearance on the show, while full album sales increased 100 percent in the week following the show’s premiere, per SoundScan.

Thursday, March 19, 2009

Wavves: ‘Wavvves’ (Album Review)

Theoretically, this sophomore album from San Diego one-man band Nathan Williams shouldn’t be hard to replicate. For song titles: Pick a sunny descriptor such as “beach” or “summer” and affix it to “demon” or “goth.” For music: Use a Yak Bak to record some catchy doo-wop crooning, schwasted punk drumming, and shitgaze guitar fuzz. For lyrics: Remember your burned-out, bored teenage years, and then exaggerate how much fun you had. The result: an album exuding wall-punching energy, ugly noise, and raging nostalgia for stale bong water and sunburn.

Modest Mouse: “Satellite Skin” (Live on Letterman) (Video)
[youtube=http://www.youtube.com/watch?v=81Am168zUqU&color1=0xb1b1b1&color2=0xcfcfcf&feature=player_embedded&fs=1]

Wednesday, March 18, 2009

Pete Burns ‘critically ill’ in hospital

Pete Burns is in a critical condition after being rushed to hospital with kidney problems.

The Dead Or Alive singer posted a message to fans on his official forum at Deadoralive.net explaining how he collapsed last Wednesday (March 11).

“I simply want it announced I collapsed on Wednesday and was rushed to hospital,” he wrote, before explaining that he then underwent emergency surgery lasting five hours.

“They [doctors] found eight stones in each kidney but were unable to remove them as they were blocking both the kidneys, the urethra and bladder.

“I’m in a very serious condition on 24-hour intravenous morphine for the pain. Intravenous fluid as I’m so dehydrated and the kidneys can’t retain the liquid. I also have diabetes insipidus which is puling water from my lung, liver, heart and brain.

“I’m critically ill and under 24-hour observation and will be in hospital for quite a long time.”

New York Dolls Reunite With Todd Rundgren For New Album

Veteran rock act the New York Dolls will issue its fourth album “Cause I Sez So” via Warner Music Group’s Atco label on May 5 in the U.S and a day earlier in the U.K.

The band, which was revived in 2004 at the instigation of Morrissey who was curating the Meltdown festival in London, has reunited with Todd Rundgren, producer of their eponymous 1973 debut. A re-recorded version of “Trash” from that album features on the new set.

“Cause I Sez So” was recorded at Utopia Sound Studio in Kauai, Hawaii, and features original members David Johansen on vocals and Sylvain Sylvain on guitar, alongside Steve Conte (guitar), Brian Delaney (drums), and Sami Yaffa (bass).

“It was amazing working with Todd again, and I think we were able to evoke the special sound of our first album and drag it by the hair into the present,” says Johansen in a statement.

Tuesday, March 17, 2009

Cursive: Mama, I’m Swollen (Album Review)

After the stellar Happy Hollow album, Tim Kasher and bassist Matt Maginn took a big step back to question whether they wanted to move in the same direction under the Cursive name. A few cards were stacked against them. Cursive’s drummer Clint Schnase, the main man responsible for much of the group’s appeal — their mathy time changes — was out of the picture. The rest of the band lived in different cities. Also, Kasher had just finished his fifth solo album under the moniker the Good Life and was becoming increasingly comfortable making softer rock. After some debate, he and the remaining founding members (Maginn, and guitarist Tim Stevens) decided to move forward anyway, throw down some tracks, and worry about whether it fit the mold of “the Cursive sound” later.

Decidedly toned down, Cursive’s sixth album, Mama, I’m Swollen, marks a radical departure for the group. In fact, it doesn’t really fit the mold of “the Cursive sound” at all. Songs share more in common with the Good Life’s Help Wanted Nights than anything in Cursive’s catalog. Instead of fractured fairy tales, there are straightforward singer/songwriter jingles, likely penned by Kasher on acoustic guitar before getting fleshed out with other instruments. The lack of writing involvement by other bandmembers shows. While ambitious in scope, excessive polish only emphasizes the point that they are now a recording band instead of a live band. Where experimentation with layered instruments enhanced the grandness of Happy Hollow, here it’s taken one step overboard with additional flute, clarinets, and violin arrangements added on top of the supplementary horn section, to the point of making this their lightest, earthiest release to date. Of course, fans of early Cursive aren’t necessarily looking for light and earthy or simple 4/4 beats.

Kasher remains a cunning wordsmith, and as usual, his lyrics are filled with uncertainty — especially when debating religion, as he’s done on more than a few songs now. However, when the music is more uncertain of itself than the lyrics are, things become shaky. The album jumps around without focus from country rock, indie, and Americana, with tinges of hard-hitting emo rock here and there peeking out from behind the slick pop ballads. Fortunately, there are redeeming moments. Kasher’s deep running concepts are still entertaining, and even though the songs are in a tamer style, they’re pretty good. “Let Me Up” maintains some of the guts and angular chops of early releases, “In the Now” has the garage rock edginess of Superchunk, and “I Couldn’t Love You Any More” succeeds as a catchy indie pop number. It’s not a horrible release, it just doesn’t measure up to Happy Hollow, The Ugly Organ, or Domestica.

John Lennon Biopic Picked Up by Weinstein Co.

The Weinstein Co. has acquired a host of rights for “Nowhere Boy,” the story of John Lennon’s tumultuous childhood.

The company has secured U.S., Latin American and German rights from producer Ecosse Films. “Boy,” with its titular allusion to Beatles song “Nowhere Man,” looks at a battle between Lennon’s aunt and mother for custody and affections of the young musician.

Sam Taylor-Wood is directing and Matt Greenhalgh wrote the script; Greenhalgh previously penned “Control” the story of Joy Division lead singer Ian Curtis, which TWC also released.

Aaron Johnson plays the Beatle as a young man, with Kristin Scott Thomas playing his polarizing Aunt Mimi, who begins raising Lennon until his mother re-enters the picture. Production is under way.

TWC is touting the movie as first acquisition since Tom Ortenberg arrived at TWC; the Lionsgate vet joined this year as president of theatrical films.

HanWay Films repped the filmmakers.

Monday, March 16, 2009

Krist Novoselic: No more unreleased Nirvana songs

ABERDEEN, Wash. — Don’t expect any more Nirvana songs to come out of some secret, long-locked vault.

“What there is, is video,” said Nirvana’s former bassist Krist Novoselic. “There’s a lot of video. There’s not going to be any new Nirvana records.”

Novoselic sat down with former Daily World Publisher and Editor John Hughes recently for an oral history, which was included as part of the launch of the secretary of state’s Legacy Project. Hughes, who was hired on as the project’s chief historian, spent weeks researching Novoselic’s life and spent several hours interviewing the musician at his home in Deep River, a few miles from Naselle.

The 89-page interview was released in its entirety on the secretary of state’s Web site last week. It also includes a four-page index.

The only previously unreleased song to come out since Kurt Cobain’s suicide in April 1994 was the single “You Know You’re Right.” The song was recorded in January of that same year. Novoselic told Hughes he had kept the master tape.

“‘You Know You’re Right’ was a big surprise with people,” Novoselic said. “I had that master tape stashed and I didn’t tell anybody.”

The song was eventually released in the fall of 2002, after years of legal wrangling between Novoselic, bandmate Dave Grohl, who later founded the Foo Fighters, and Cobain’s widow, Courtney Love.

“Are you on good terms with Courtney Love now?” Hughes asked Novoselic. “Is that a good thing?”

“Yeah, it’s a good thing,” Novoselic replied. “It’s not bad terms.”

Novoselic didn’t elaborate on just what kind of videos are in the archives or if there are any plans to distribute any of it.

Novoselic also refuted a popular notion that he balked at joining the Foo Fighters after Cobain died because he didn’t like the notion that it was like a second string to Nirvana.

“I didn’t balk at it at all,” Novoselic said. “No, Dave just went and did his own thing, and I did my thing. I think everybody was dealing with things. I was dealing with things in my way. And then Dave put a band together.”

During the interview, Novoselic said he truly couldn’t remember what he thought of Cobain the first time he met him. Both Novoselic and Cobain attended Aberdeen High School, but Novoselic was older.

He also said he knew “Smells Like Teen Spirit” would be successful. It’s the group’s seminal anthem off of the immensely popular “Nevermind” album.

“I remember when Butch Vig, our producer, put up the rough mixes of that song and he goes, ‘You’ve got to hear this tune.’ He’s just like cranking it up on the mixer. And I’m like, ‘Wow, yeah, that rocks.’”

Novoselic said he agreed with former Nirvana manager Danny Goldberg that Cobain was a genius. Goldberg’s recently released book was titled “Bumping into Geniuses.”

“Yes, he was a genius as far as the way he just made completely original expression. And he transitioned through mediums. It seemed (to happen) very easily. Like if you look at his paintings they’re very good. He can do like drawings and sketches.”

“The paintings are typical of the music he was doing,” Hughes replied.

“You can kind of see the same Kurt just kind of weird, kind of a little bent,” Novoselic agreed.

Novoselic said he did have some regrets more wasn’t done to prevent Cobain’s suicide.

“There’s anger,” he said. “There’s regrets. I was angry. It’s just a waste. You know it was the f—ing drugs. It’s pretty bad. All in 20-20 hindsight, you know. Kurt called me the first time he did heroin and he told me he did it. And I told him, ‘Don’t do it man. You’re playing with dynamite.’”

Novoselic said he’s never done heroin, only marijuana and alcohol.

“I’ve never seen heroin, but I’ve seen people on it,” he said. “And people fool themselves with all kinds of things – gambling, sex, denial, all kinds of things to get hung up on. There’s a whole romance about heroin.”

Meantime, besides his work for the Grays River Grange, a small book and his local political activism, Novoselic said he has been a DJ for an Astoria-based radio station, Coast Community Radio. He says he’s done the show for the past five years – four hours every other Saturday night from 8 p.m. to midnight. The shows are also broadcast online at http://www.coastradio.org.

His show is called “DJ K-No.”

He explains, “Like Jennifer Lopez is ‘J-Lo.’ Well, I’m K-No because I’m Krist Novoselic.

“It’s an eclectic show. I get into the groove, one thing follows another. And if I want to change the course of things I’ll play some spoken word to break things up.”

Novoselic said sometimes he takes music requests, but don’t ask him to play “Smells Like Teen Spirit.”

“I never play Nirvana,” Novoselic said. “But I’ll play like Sweet 75 or Eyes Adrift,” two of his post-Nirvana bands. “I’ll play Foo Fighters.”
(via The Seattle PI)

All U.S. Virgin Megastores To Close By June

The planned U.S. closure of the Virgin Megastore chain by mid-June will mark the end of the British music retail invasion.

HMV was the first to land in November 1990, with an East Coast incursion, followed soon by Virgin’s entry on the West Coast and W.H. Smith’s focus on the country’s heartland malls.

The three chains came in thinking they could teach the Americans a thing or two about merchandising music. But their high-handed attitude wasn’t directed at their competitors, like Tower Records, Camelot Music, Record World and other long-dead music chains. Rather, it was targeted at the record labels.

“They were arrogant,” a label sales executive said about the British chains before Virgin confirmed its U.S. closings. “They thought they knew everything. They thought they were going to take the U.S. by storm. But I grew to love them. They were all good music guys and their stores were great.”

The British merchants were especially known for championing certain kinds of artists and genres. But their fatal flaw was a failure to understand the U.S. real estate market. HMV and Virgin had a history of overpaying for locations, which meant both chains usually had more unprofitable stores than profitable ones.

At its peak, the Virgin Megastore chain had 23 stores and revenue of $280 million annually, but at least 12 of those stores weren’t profitable. After a four-year store-closing spree, the chain was down to six stores by January, all of them profitable, and combined they were doing a very respectable $180 million in annual sales. The chain’s New York Times Square location generated $55 million, with $6 million in profit, while its Union Square store downtown had $40 million in sales and a few million dollars in profit, according to sources.

SALES SLIDE INSURMOUNTABLE

With CD sales sliding, “I tried my hardest to come up with a new model, and we were making a lot of headway with it before the holidays,” said Virgin Entertainment Group North America CEO Simon Wright.

Virgin outlasted HMV and W.H. Smith, with the former pulling out in 2004 and the latter selling out to Camelot Music in 1998. But Virgin couldn’t withstand the combined blows of big-box loss leaders, chain-store exclusive releases and digital cannibalization.

“We have made a great contribution to music retailing, but it’s time to move on,” Wright said.

In August 2007, Virgin Entertainment Group North America was bought by two real estate companies, the Related Cos. and Vornado Realty Trust, which hold stakes of 51 percent and 49 percent, respectively. In June 2008, a Vornado executive told Reuters that the Times Square store would shut down in first-quarter 2009 because the company could make more money on the real estate.

Virgin was destined to lose its Times Square space, but it might have been given a shot next door in the much smaller Vornado-owned space formerly occupied by the Bar Code bar and gaming arcade, sources said.

“But the holidays were what they were and the economy is what it is since then,” Wright said. “The economy is so bad, it’s all about batten down the hatches.”

Just as Tower Records once helped transform Broadway from a warehouse district into a top-notch retail street, the Virgin Megastore was key in revitalizing the Union Square area, which 10 years ago was filled with bargain stores and pot dealers.

“We changed the face of Union Square,” Wright said. “What will happen there now with both us and Circuit City leaving at the same time?”

Sunday, March 15, 2009

‘Divinations’ from Crack The Skye by Mastodon (Music Video)

MastodonNew MusicMore Music Videos

Friday, March 13, 2009

Handsome Furs: Face Control (Album Review)

Dan Boeckner and Alexei Perry are insufferable exhibitionists when it comes to putting their love on display. If their promo pics are to be believed, their electro-touched art rock is made in the short intervals between wild fuck sessions. Still, there’s no denying the chemistry between these two; it throbs all over their impressive new disc.

Boeckner deserves most of the credit, though. His warbling voice sticks in your head when he sings “I don’t know but I’ve been told, every little thing has been bought and sold” in the standout Talking Hotel Arbat Blues. So does the strident guitar hook in the jubilant All We Want, Baby, Is Everything. Great album, but get a room already. ;)

My Bloody Valentine Adds U.S. Dates

My Bloody Valentine, the eardrum-pounding, feedback-sculpting quartet fronted by elusive guitar hero Kevin Shields, has added a handful of U.S. live dates to coincide with its Coachella festival appearance in April. The band will play in Austin, Dallas, Denver, and Seattle in the week following its April 19 headlining slot in Indio, Calif.

My Bloody Valentine returned to the concert stage in 2008 after a 16 year hiatus with a series of London club gigs and European and Japanese festival dates. In the U.S., the band’s popularity had increased exponentially during its furlough: Its seven North American headlining shows were all sell-outs, drawing more than 26,000 fans and grossing well more than $1 million. The band also curated and headlined the All Tomorrow’s Parties festival in upstate New York in September 2008. In Chicago, MBV played the Aragon Ballroom, which is “four times the size of the venue we did on the 1992 tour, and it sold out in a day. It was one of the more exciting things I’ve seen in awhile,” says Jam Productions VP of concerts Andy Cirzan.

Frank Riley, the band’s long-time booking agent, helped facilitate the band’s unusual sounds requirements. “The most important thing for MBV was making sure that whatever they did sounded great,” Riley said last year. “That requires a certain amount of equipment and power and volume and staging. I had to find venues that could accommodate that. Next, I had to consider which markets could fully support something within those sound specifications, which included no dB limits, an open floor in front of the stage and a certain capacity that could generate the income necessary to make the thing affordable.”

While the band has promised new recordings, last year’s shows consisted entirely of material from its early 1990s Creation Records catalog.

Here are the My Bloody Valentine tour dates:

Apr 19: Indio, Calif. (Coachella)
Apr 21: Austin, Tex. (Austin Music Hall)
Apr 22: Dallas (The Palladium Ballroom)
Apr 24: Denver (The Fillmore Auditorium)
Apr 27: Seattle (WaMu Theater)

TV On The Radio, Public Enemy Set For ‘Roots Picnic’

TV On The Radio, Public Enemy, the Black Keys and Santigold are among the acts handpicked by The Roots to play the band’s second annual hometown “Roots Picnic” on June 6 at Festival Pier in Philadelphia. Public Enemy will perform the classic album “It Takes a Nation of Millions to Hold Us Back” in its entirety backed by The Roots and Brooklyn-based Afrobeat band Antibalas. The Roots will also play two sets, opening and closing the festivities. The “Roots Picnic” runs from 2:00 pm – 11:00 pm.

The Pipes featuring Zoe Kravitz and Busdriver are also set to play on the main stage, with DJs Cash Money and Jazzy Jeff spinning sets in between the bands. Writtenhouse, Back to Basics, Making Time, Busdriver, Kid Cudi and Asher Roth will all play on a second stage.

Last summer, Public Enemy did several live performances of “Nations” in London and Chicago, but the Philadelphia show will be the first time the group will reinterpret the album with a live band. Public Enemy will play live with The Roots on “Late Night with Jimmy Fallon” on Monday (March 16).

Last year’s inaugural “Picnic” was face-melting hot, both in temperature and tunes. Diplo, Gnarls Barkley, the Cool Kids, Deerhoof, DJ Jazzy Jeff and Sharon Jones & the Dap-Kings all performed along with The Roots.

Thursday, March 12, 2009

The Dead Weather (Jack White) – Hang You From the Heavens (Video)
[youtube=http://www.youtube.com/watch?v=scJ8ITsZsl4&hl=en&fs=1]

The Dead Weather (Jack White) – Are Friends Electric? (Gary Neuman Cover)(Video)
[youtube=http://www.youtube.com/watch?v=KEvTfIyOLEk&color1=0xb1b1b1&color2=0xcfcfcf&hl=en&feature=player_embedded&fs=1]

Yeah Yeah Yeahs Zinner: ‘I was pushed into dropping guitar’

Yeah Yeah Yeahs’ guitarist Nick Zinner has claimed that he was “pushed” into dropping his instrument for the recording of his band’s new album, ‘It’s Blitz!’.

The instrument seldom features on the LP, out Monday (March 16) – with Zinner saying that it was his bandmates and producer who coerced him into the decision.

“I was pushed into it,” he said. “We were working with Dave [Sitek, producer], and his thing is to rip up what you know. It’s a good attitude for musicians.”

Zinner added that although it wasn’t his initial idea to drop the guitar, he didn’t protest too much. “On the one hand I was very much encouraged to move on,” he said. “But on the other I was open to trying something new.”

Our view? Nick, Please pick up that guitar.. Enough with the Disco already..

Jack White Forms The Dead Weather

Jack White has formed a new group called The Dead Weather with The Kills frontwoman Alison Mosshart. White takes drum and vocal duties, while The Raconteurs bassist Jack Lawrence and Queens of the Stoneage guitarist Dean Fertita round the four piece out.

The group debuted a handful of new tracks last night (March 11) in Nasvhille from their forthcoming album “Horehound,” due June 9 on White’s Third Man Records imprint. Two of the songs are available now on iTunes: “Hang You From The Heavens” and a cover of Gary Numan’s “Are Friends Electric?”

The group performed for an intimate crowd of 150 at the opening of White’s new headquarters. The office includes not only the label office, but also a vinyl shop, photography studio and performance stage.

The Dead Weather is planning to support “Horehound” with a tour this June.

Wednesday, March 11, 2009

Billy Bragg, Radiohead Insist YouTube Pay Artists Larger Royalties… UK Featured Artists Coalition vs Google, Myspace, Nokia…

The FAC, which describes itself as a “coalition, not a union”, has been organised by Billy Bragg, the veteran protest singer, Dave Rowntree, the Blur drummer turned Labour Party candidate, and Radiohead, who walked out of a deal with EMI to release their last album In Rainbows directly over the internet….

“Google, YouTube’s owner is a company that makes billions in profits; we think they should be paying artist royalties from the advertising revenue they make,” Billy Bragg told The Times. “A dispute like this illustrates the needs for the creation of the Featured Artists Coalition, so we have have a voice and the public understand that sites like Google should be paying for music.”

The stars complain that performers often do not receive any royalties from digital music deals – struck on confidential terms none of the artists understand – and that music companies unfairly restrict creative expression by hanging on to copyright for up to 50 years.

Radiohead guitarist Ed O’Brien, said: “The music companies did a deal with Nokia recently, so they could launch phones with access to all sorts of music. We think they all received advances from Nokia, but nobody is saying who got what – and we think some of that money should go to the artists.”

Another target of complaints is MySpace, the social networking website owned by News Corporation, parent company of The Times. Billy Bragg said: “I don’t know how much money MySpace makes from advertising, but we don’t receive any royalties from it. They are not putting any money back into content.”

Artists in the Featured Artists Coalition include: Billy Bragg, Boilerhouse Boys, Chrissie Hynde, Craig David, David Gilmour, Gang of Four, Iron Maiden, Jazzie B, Jools Holland, Kaiser Chiefs, Kate Nash, Klaxons, Radiohead, Richard Ashcroft, Robbie Williams, Sia Furler. Soul II Soul, Stephen Duffy, The Cribs, The Verve, Travis, Wet Wet Wet, and White Lies.
[youtube=http://www.youtube.com/watch?v=Q0SmczmWcJE&color1=0xb1b1b1&color2=0xcfcfcf&hl=en&feature=player_embedded&fs=1]

Handsome Furs- I’m Confused (Music Video)

Devo announce first album in 19 years

DEVO have announced the release of their first studio album since 1990, scheduled to come out next fall.

The as-yet untitled record will be the band’s first since ‘Smooth Noodle Maps’, and follows the 2007 single ‘Watch Us Work It’, their first new song in 18 years.

The five-piece are also due to appear at SXSW this year, including a one-night-only concert at the Austin Music Hall on March 20.

On May 6 they will perform their 1978 debut album ‘Q: Are We Not Men, We Are Devo!’ in its entirety at London’s Kentish Town Forum.

The tour dates are as follows:

Dallas, TX Palladium Ballroom (March 18)
Austin, TX Austin Music Hall (20)
London, UK Kentish Town Forum (May 6)
Somerset, UK Butlins Holiday Centre (8)

Sonic Youth, John Paul Jones Compose Dance Piece

Led Zeppelin bassist John Paul Jones and alternative rock legends Sonic Youth have collaborated on an original musical piece for the Merce Cunningham Dance Company, and will perform together in Brooklyn, N.Y. in April. “Nearly Ninety,” a new full length work composed by Sonic Youth, Jones and mixed-media sound composer Takehisa Kosugi, will debut at the Brooklyn Academy of Music on April 16, Merce Cunningham’s 90th birthday.

The piece and its debut performances are part of “Merce Cunningham at 90,” a four day festival celebrating the choreographer’s work and influence. After its world premiere at BAM, “Nearly Ninety” will travel to Madrid, Champaign-Urbana, Paris, Berkeley, and London.

A long-time champion of improvisation and collaboration in dance, Cunningham and his dance company have worked with a number of musicians for past performances, including Radiohead, John Cage, and Sigur Ros.

Jones first performed with Merce Cunningham Dance Company in 2005, when he appeared as a guest musician with the Company’s in London. Sonic Youth’s Thurston Moore performed with the Company in the late 1990′s.

John Paul Jones and Sonic Youth perform with the Merce Cunningham Dance Company, April 16-19. More info is available at bam.org.

Tuesday, March 10, 2009

Get $200 iTunes Store Vouchers for $2.60

Stop being an ass and don’t pirate songs and movies. Pirate money and get legal material! Chinese hackers have cracked the algorithm that generates the iTunes Store gift card: You can get $200 for $2.60.

According to the blog of Outdustry—a music industry consultancy firm in China—the market is getting inundated with this pirate cards, with prices falling quickly. You can find $200 iTunes Music cards in Taobao for as low as $10, and the blog is reporting prices of $2.60. In fact, the prices are dropping dramatically as the number of vendors selling these cracked cards increase.

Nobody knows what this means for Apple yet. For sure, a change of the formula that generates the vouchers looks like a definitive possibility, but that won’t solve the situation of legal cards already in the market.
(via gizmodo)

Red Hot Indie Rock Benefit Concert Coming To Radio City

“Dark Was The Night,” a 31-track compilation of indie bands and artists put together by the Red Hot Organization, a group dedicated to raising AIDS awareness through popular culture, is getting the full concert treatment at Radio City Music Hall in New York on May 3.

“Dark Was The Night- Live” will feature several of the artists who contributed to the release, including Dave Sitek, Dirty Projectors, Feist, My Brightest Diamond, The National and Sharon Jones & The Dap Kings. Other artists are expected to be added to the bill. All proceeds from the concert go to the Red Hot Organization.

The compilation was produced by Aaron and Bryce Dessner of The National. “Bryce and I found ourselves in the midst of all of our peers and in a position to invite them to participate in this,” Aaron explained in an earlier interview. “Almost everybody was willing to donate their time and their music.” The 4AD project was released on Feb. 17 and debuted on the Billboard 200 at No. 49.

“On this record, we tried to capture this musical renaissance, which may not have the cultural impact of grunge or punk, but is equally significant from a cultural and creative standpoint,” says Red Hot co-founder John Carlin, who executive-produced the album. “It’s an assertion of Aaron and Bryce’s generation. These artists are not fringe or marginal.”

Tickets for “Dark Was The Night – Live” go on sale Friday, Mar. 13 at 11:00 am.

Coachella Adds Bands, DJs After Winehouse Drops Out

Devendra Banhart, the Orb, Chemical Bros., Murder City Devils and Etienne de Crecy have been added to the lineup of the Coachella Valley Music & Arts Festival after one of its marquee artists withdrew from the bill. As previously reported, troubled British singer Amy Winehouse pulled out of the festival after an assault charge in Britain made it unlikely she would get the necessary visa to perform.

Flying Lotus, Public Enemy producers the Bomb Squad, Kode 9, and Daedulus are among the DJs who will perform in the Dome, Coachella founder and booker Paul Tollet announced yesterday (Mar. 9) in coachelladigital.com, a new webzine produced by the festival.

The tenth annual Coachella festival is to be held April 17-19 at Empire Polo Field in Indio, Calif. Paul McCartney, the Killers and the Cure lead the bill, while My Bloody Valentine, Morrissey, Leonard Cohen and the Yeah Yeah Yeahs are among the more than 100 acts previously announced.

Monday, March 9, 2009

Yeah Yeah Yeah’s- Zero (Music Video)

Amy Winehouse Quits Coachella

A spokesman for Amy Winehouse says the singer won’t perform in the United States next month, as had been planned.

Spokesman Chris Goodman said Monday that Winehouse isn’t going to the Coachella festival in Indio, Calif., in “light of current legal issues.”

Winehouse was charged with assault last week for allegedly attacking a fan at a London party in September. The singer is due in court next week.

Being charged with a crime often makes it difficult for people to get U.S. visas.

Winehouse’s battles with addiction and frequent run-ins with the law have been highly publicized.

Last year, the U.S. government declined to give her a visa to attend the Grammy awards. The decision was reversed but too late for her to go.

Dex Romweber Duo:: Ruins Of Berlin (Album Review)

Anyone familiar with the Flat Duo Jets will tell you that Dexter Romweber is a helluva guitarist (Jack White is a proud fan club member), yet our boy Dex has always been lacking in the vocal department. So his delivery on Ruins Of Berlin sometimes sounds more like a Buster Poindexter impression of Conway Twitty.

Seeking the professional help of celebrity stylists might seem like a wise move, only Cat Power, Exene Cervenka and Neko Case, who all have highly recognizable voices, aren’t really the best choices. He needs support rather than overshadowing, even if that was never his guests’ intention. He’d likely have been better off sharing a microphone with his drum-bashing sister, Sara Romweber (of Let’s Active and Snatches of Pink notoriety) and letting the old familial chemistry take over.

Saturday, March 7, 2009

Daft Punk Work On Tron 2

The French duo are apparently recording the soundtrack to a Disney film, strangely enough…

Daft Punk will record the soundtrack to hotly anticipated sci fi sequel Tron 2- according to a report.

The Dance duo haven’t released a studio album since Human After All in 2005 and this new work isn’t likely to come out till 2011 when the film is released.

Disney is making a sequel to 1982 sci-fi film Tron which starred Jeff Bridges and featured the characters entering a computer world. It is likely to be called Tr2n and feature Bridges in a lead role too.

French house innovators Daft Punk released their own sci-fi flick Electrorama and regularly play live dressed as robots.

Sounds like they’re the right men (or robots) for the job…

Friday, March 6, 2009

Jarvis Cocker Returns With Steve Albini-Produced LP

While there were many great bands and performances at last year’s Pitchfork Music Festival, there were only a few genuine stars in the classic sense of the word. Jarvis Cocker didn’t headline the fest, but he was definitely the biggest star; whether stalking the stage, engaging in witty banter, or breaking down into whiteboy James Brown convulsions, the former Pulp leader entertained like a bizarro Vegas vet.
The trip to our Chicago fest didn’t only result in an amazing set. While visiting the Windy City, Jarvis and his band holed up in Steve Albini’s Electrical Audio studio to test out a couple new songs. They liked the sound (and the price: “it was very cheap,” says Cocker in a statement), so the crew returned in January to record Further Complications, due out May 19 (May 18 in the UK) on Rough Trade.

Though Jarvis claims he hasn’t “gone rock,” hard-nosed studio rat Albini seems like a fitting choice for the album, considering the increasingly roughed-up tunes Cocker has been peddling since parting with Pulp. Don’t expect any of those We Love Life Scott Walker strings here. Do expect some songs he debuted on tour last year, like the incredible soul number “I Told You Twice (Leftovers)”, “Angela”, “Fuckingsong”, and the title track.

More track titles with priceless notes from Jarvis himself: “Slush” (“I guess that slush will be the ultimate outcome of global warming”), “Caucasian Blues” (“an attempt to understand the pain of a man whose Honda Goldwing has run out of petrol”), “I Never Said I Was Deep” (“the phrase that I would like carved on my tombstone”), “The Night They Let Me Out of the Home” (“portrays the difficulties of using public transport whilst on crutches”), and “Homewrecker!” (“an absolute racket featuring saxophone from Steve Mackey [he played on The Stooges' 'Funhouse', you know]“). If there was a Grammy for song-explaining notes, Jarvis would win every time.

Apparently, all those songs won’t be on the final LP– the tracklist is still being sussed out. “Apparently” is also the title of another new song “about how you can be in love with someone without realising it.” Is it me or does this sound like year-end material right here? No pressure!
Most importantly, Jarvis finally explains his recent abundance of facial hair: “I grew it to keep my face warm in the Arctic and then I kind of got attached to it. (The amount of grey in it horrified me at first but now I think it acts as a handy reminder of my own mortality.)” No Just for Men for this man.

Jarvis is taking his show on the road all over Europe this summer. He probably won’t play any Pulp songs, so stop asking:

Jarvis Cocker:

05-29 Barcelona, Spain – Primavera Sound Festival
05-31 Copenhagen, Denmark – Vega
06-02 Hamburg, Germany – Fabrik
06-03 Luxembourg, Luxembourg – Rockhal
06-04 Paris, France – Bataclan
06-06 Brussels, Belgium – Ancienne Belgique
06-07 Amsterdam, Netherlands – Paradiso
06-10 Blackpool, England – Empress Ballroom
06-12 Glasgow, Scotland – ABC
06-16 Brighton, England – Brighton Dome
06-17 London, England – Troxy

(via pitchfork)

Neko Case: Middle Cyclone (Album Review)

It’s hard to resist the obvious thing here — you know, with a title like that — and not speak in metaphors of inclement weather, just as it was tough to avoid summoning wildlife when discussing Case’s previous album, Fox Confessor Brings the Flood. Animals and storms are, after all, Case motifs. And it’s even harder when the music itself — those brushed drums and plucked guitars ringing out with skedaddled tail-chasing resolve — fashions its own little twisters.

The atmosphere is less country noir than arpeggiated sunrise, as “This Tornado Loves You” and “People Got a Lotta Nerve” demonstrate with fog-lifting clarity. When Case sings “I’m a maneater” in the latter, she’s not talkin’ Hall & Oates jive — she’s a proxy for beastly things, a creature of counsel. Middle Cyclone is her most fearless and arresting record, ruthlessly composed and beautifully recorded (the army of pianos in the cover of Harry Nilsson’s “Don’t Forget Me,” tracked in a Vermont barn, radiates a warm-as-the-universe feeling).

Two of the best tracks, “I’m an Animal” and “Red Tide,” have their escalating refrains cut short. Darwinist pop, perhaps? “My courage is roaring like the sound of the sun,” Case sings, her voice calling out across the æther, anima tempestuosa.

New Runaways biopic coming together

Dakota Fanning to play Cheri Currie in The Runaways biopic. No word yet one who’s playing Lita Ford or Joan Jett, but this could be the best speculation thread of all time… Update, Kristen Stewart to play Joan Jett. This will be the greatest movie of all time. (via Fimoculous)

Thursday, March 5, 2009

The Soundtrack of Our Lives: Communion (Album Review)

With the twisty “Are You Experienced?” guitars and relentless, rumbling drumbeat driving the slow build of “Babel On,” the Soundtrack of Our Lives kicks off “Communion” the way a 90-minute double CD needs to be kicked off: not giving too much away but still announcing that the band’s got expansive ideas. The official line is that “Communion” is a concept album covering each hour of the day, but that would require scrutiny so intense that listeners would effectively have to trick themselves into believing it. (Maybe that’s why the artwork resembles corporate/cult propaganda.) It’s more a journey through the many modes of pop psychedelia, from the intense raveup “Mensa’s Marauders” to the pastoral instrumental “Digitarian Riverbank,” with a Love jones throughout (including an ebullient cover of Nick Drake’s “Fly” played as though it were “She Comes in Colors”). The sheer heft of “Communion” makes it hard to absorb the songs individually while discouraging the casual spins necessary to embed them in your skull. But almost every song sounds terrific in the moment. (Out tomorrow) – MARC HIRSH

The Prodigy – Omen (Music Video)
[youtube=http://www.youtube.com/watch?v=xMVTKOoy1uk&color1=0xd6d6d6&color2=0xf0f0f0&hl=en&feature=player_embedded&fs=1]

Wednesday, March 4, 2009

Jerry Dammers: ‘I could still rejoin The Specials’

The Specials’ founding member and songwriter Jerry Dammers has said that he has not given up hope of rejoining the band – despite not being part of their reformation line-up.

However, the keyboard player has taken issue with Terry Hall’s suggestion that he was not forced out of the reformation.

Writing in the Guardian’s right to reply column Response, Dammers insisted that he had been frozen out of the band, and that he was excluded from initial rehearsals.

“The fact is that I would not have been invited to the first ‘reunion’ meeting at all had [drummer] John Bradbury not told me about it,” he claimed. “It was generally agreed to get together and commence rehearsals, by everyone except him [Hall].

“Shortly after the meeting, however, [guitarist] Lynval Golding phoned me saying that I was not required for the band – ‘like Bill Wyman from the [Rolling] Stones’ were his exact words. Terry’s manager circulated emails from which I was excluded. Rehearsals were held without me, and I only managed to attend two – one of which was attended by only four people.”

Dammers disputed Hall’s assertion that he wanted to play a date at Coventry’s Ricoh Arena but didn’t like the idea of touring – claiming that he didn’t want an extended tour because of what it might do to the reputation of the band.

“What I actually suggested to him was that if rehearsals went well,” he wrote, “we could consider a very big date or series of big dates in London, followed by a date at Coventry’s Ricoh Arena.

“What might happen after that I left open. It was not that I ‘don’t [like] the idea of touring’, as he puts it. I was anxious to preserve the status, political effectiveness and legacy of the band for the long term, including recording, rather than risk the diminishing returns of setting out as a flawed nostalgia act in small venues.

“Bradbury thought that I should compromise on Coventry, and I was excluded for the last time. He has not spoken to me since. He did not speak to me “all the way through 2008″, as he claimed.”

Dammers did, however, say he could rejoin the band at some point, concluding: “Despite all this I never give up hope of some sort of reconciliation.”

The Specials will play UK live dates next month and will play at the T In The Park, Oxegen and V Festival.

Yeah Yeah Yeahs to release album early due to leak

Yeah Yeah Yeahs have announced that they are pushing up the release date of their highly anticipated forthcoming album.

‘It’s Blitz!’ is set to be released digitally in the US on March 10 and in other parts of the world on March 9.

The physical album will hit US stores on March 31 and the rest of the world on April 6.

The album, which was produced by he band’s long-term producer Dave Sitek as well as Nick Launay (who’s producing The Cribs’ new album), was originally set to be released April 13 in the UK and a day later in the US, but the online leak of the album caused the band to release it more than a month early.

In a blog posting on Yeahyeahyeahs.com, the band wrote: “The cat’s out of the bag after IT’S BLITZ! escaped from our clutches into the big bad world last week. Why should some have and some have-not?

“YYYs have been brimming with nervous excitement in anticipation of releasing this record to the world! Leaks are NO FUN but it’s out of our hands.”

The band are set to embark on a UK and European tour in support of the new album immediately following their appearance at California’s Coachella Festival on April 19.

Tuesday, March 3, 2009

Spinal Tap: New tour, less hair!

Spinal Tap announced at a press conference yesterday that they will be going on tour later this spring –- but not as Spinal Tap. Confused? Let me explain. The core Tap trio of actor-comedians, Christopher Guest (aka “Nigel Tufnell”), Michael McKean (“David St. Hubbins”), and Harry Shearer (“Derek Smalls”), are hitting the road for a 30-date “Unwigged & Unplugged” tour, which starts on April 17 in Vancouver, B.C., and ends in Milwaukee on May 31. And they will be playing songs from both 1984′s This Is Spinal Tap and 2003’s A Mighty Wind, in which the three played aging folkies The Folksmen. BUT they will be leaving their Tap outfits –- and, in Shearer’s case, the foil-wrapped vegetables -– behind and perform as themselves. The Tap are also set to release a new CD on May 25. I can’t confirm at the moment as to whether they will try to “milk it for a few more years in Europe.”

Black Lips- 200 Million Thousand (Album Review)

They’re Atlanta’s champions of young dumb fun, remembered less for their garage-rock rave-ups than for the time their guitarist urinated into his own mouth on stage. But on Black Lips’ fifth studio album 200 Million Thousand, their music finally catches up with their live-show notoriety. The surf-rock riffs are woozier, the girl-group melodies are brighter, and the in-the-red production channels extra psych-rock paranoia. Better yet, they get plenty of laughs, especially when they rank their bad reputations with some heavy hitters: ”Atomic bomb/Vietnam/BlackLips.com!” It’s a slogan soon to get Sharpied on Chuck Taylors everywhere
(By Melissa Maerz)

Monday, March 2, 2009

Death Cab for Cutie– Grapevine Fires (New Video!)

If you have problems viewing this video CLICK HERE

Iggy Pop to release jazz album indebted to French literature

Iggy Pop has revealed that he has recorded a jazz album based on the French author Michel Houellebecq’s novel ‘La Possibilité D’une Ile’ (‘The Possibility Of An Island’).

In a video interview originally posted on Iggypop.org, (See video below) Pop explains that he decided to record the album – called ‘Preliminaires’ – because he was “sick” of listening to guitar bands.

“It’s a quieter album with some jazz overtones,” he said. “That’s because at one point I just got sick of listening to idiot thugs with guitars, banging out crappy music. And I was starting to listen to a lot of New Orleans-era Louis Armstrong, Jelly Roll Morton type of jazz.”

Pop added that he was originally approached to contribute songs to a documentary about Houellebecq’s attempts to get the novel turned into a film.

One song on the album, called ‘Les Feuilles Mortes’ (‘Autumn Leaves’), is sung in French.

“I’ve made it really especially for France and people who speak French,” the singer revealed.

At one point during the video Pop – who is seen sitting by a swimming pool – picks up a white dog and shows it to the camera. After he finishes speaking a song from the album named ‘King Of The Dogs’ plays. The singer said that the song is about “just how cool it is to be a dog and how much it beats human life.

Faces Reunion Plans Still Awaiting Rod’s Nod


A Faces reunion may still be in the offing this year — but probably not a full-scale tour or recording project.

Keyboardist Ian McLagan said that the latest idea, proffered by guitarist Ron Wood at a lunch in London with McLagan and drummer Kenney Jones, is “we do a couple shows and film it. Whether Rod (Stewart) wants to do that…I’m hoping he’ll be into that ’cause it’ll be such a lot of fun. It’s what the three of us would like Rod to agree to.”

The Faces, with Stewart’s touring bassist, got together during November in London to play for three days in various configurations. McLagan — who’s currently touring to promote his latest solo album, “Never Say Never,” which comes out March 3 — says the sessions were “really, really great.” The following month word leaked that the group would indeed tour, with the Red Hot Chili Peppers’ Flea on bass, and that there would also be a new Faces album — the first since 1973′s “Ooh La La.” In January both Flea and Stewart denied there would be a Faces tour.

McLagan says that Wood is currently in Los Angeles and plans to talk to Stewart about the latest idea. “I’ll get a call eventually, and maybe we’ll do something in June or July,” McLagan says, ” ’cause I don’t want to do anything next year. I’m not gonna wait again. It’s either gonna be this year…It’s now or never! I’ve got my fingers crossed, but I’m not going to waste energy trying to make it happen. I’ve worked for 30 years trying to make it happen. It’s now in the lap of the gods — or the hands of Rod, maybe.”

The keyboardist adds that despite other press reports, Wood is “in great shape…and good spirits” and is not currently drinking. “He slips but he stops. He’s finding his grace, and it’s a struggle,” McLagan says. “He’s trying really hard.”

While he waits for word on the Faces’ plans, McLagan plans a full year of touring with his Bump Band for “Never Say Never” — which is dedicated to his late wife, Kim, who died in a 2006 auto accident, and features some songs inspired by the tragedy.

“Music is the healer — I know it as an absolute, stone cold fact,” McLagan says. “I wouldn’t be here today without the music and my band members, my musician friends. They kept me going. I’m doing much better. I’m fine now. But the tough times, I couldn’t have done it on my own.”