Kingblind Download’s (Singles / Live Edition)

Bloc Party – Marshalls are Dead (live at Glastonbury Festival 2005)
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Bloc Party – This Modern Love (live at Glastonbury Festival 2005)
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The Futureheads – The City is here for you to use(live):
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Radiohead:: Everything is in it’s right place
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The White Stripes – Get Behind Me, Satan (Album Review)

Everything you know is wrong. Thought every White Stripes album was full of raw, visceral blues workouts? Thought Jack White was one of the greatest guitarists of his generation and every track showcased his awe inspiring ability? Well, think again, for Get Behind Me Satan is a very different beast. Let’s get this straight from the start. A lot of White Stripes fans are going to be hugely puzzled by this follow up to the planet shagging success story that was Elephant. And a fair proportion of those are going to absolutely hate it. For a start, there’s only three tracks based around the guitar, with most songs written for the piano. And secondly, this is the Stripes’ most diverse album yet – they’ve dropped the garage sound and embraced bluegrass, country music and even disco. To longstanding observers of Jack and Meg though, this shouldn’t come as too much of a surprise. Jack’s work on the Cold Mountain soundtrack and his production for Loretta Lynn had demonstrated his love of bluegrass, and let’s face it, if he’d just produced Elephant Part II he’d have been in danger of disappointing just as many fans as The Strokes did with Room On Fire. So put aside your disappointment at the lack of squealing guitar solos and take Get Behind Me Satan for what it is – another massive step forward in the evolution of a truly great band. The single Blue Orchid is pretty much unrepresentative of the album, but its vicious guitar riff and Jack’s falsetto give it an addictive feel. It conjures up visions of behemoths of ’70s rock like Deep Purple, but with a whole new spin for the 21st century. Far more typical of the album is the wonderful disco-influenced My Doorbell, with its juddery piano riff and percussion and Jack half-rapping in a style reminiscent of Beck. It’s totally different to what you’d expect from the Stripes and sounds wonderfully joyous. Even more bizarre is The Nurse, employing chimes and a marimba to create a nice little campfire vibe, before Meg smacks her drumkit as hard as she can to create unsettling bursts of noise between the verses. The standout track is probably Take Take Take, a tale of a fan’s encounter with Rita Hayworth in a bar which turns sour when Ms Hayworth takes her leave. “She didn’t even care that I was even there/What a horrible feeling” whines Jack’s character in a manner similar to Eminem’s Stan. The song mixes jangly acoustic guitars with an angular piano riff and when Jack spits out “Take, take, take” over the chorus, the effect is quite sinister. Elsewhere, Little Ghost is a charming little traditional country ditty, which together with I’m Lonely (But I’m Not That Lonely Yet), show what a huge influence Loretta Lynn is on the band. Fans of Jack’s guitar will also be relieved to hear Instinct Blues, which is the closest thing you’ll hear to Hendrix coming back down to Earth. Red Rain, a bluesy workout, is another chance to appreciate Jack’s guitar work, but its clear that Jack and Meg are more interested in exploring different styles of music on this album. The old Stripes motifs are all present and correct as well – the obsession with the number three (all songs were written on three instruments, piano, acoustic guitar and marimba), the colour scheme of red, white and black and the old, long disproved, references to Jack and Meg’s siblinghood – the final track, the wonderful I’m Lonely has the best lyric on the album in “I love my sister, Lord knows how I’ve missed her…I sometimes get jealous of all her little pets, I’m lonely but I ain’t that lonely yet”. With no low points at all (well, maybe Meg’s, shall we say idiosyncratic, vocal performance on Passive Manipulation), this is another superb album from The White Stripes. Some may bemoan the lack of guitar, but this is obviously the sound of the band evolving and moving on. Satan’s been conclusively put behind them – who knows where they’ll go from here- (John Murphy-UK)

Kingblind Downloads

Amy Ray:: Put it out for good
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Bloc Party:: Little Thoughts
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My Morning Jacket: 2005-06-21, Rochester Hills [mp3,ogg,flac]
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Elliott Smith: 1996-09-25, Eugene [flac]
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THE FLAMING LIPS TO RELEASE NEW DVD

THE FLAMING LIPS are set to release a career-spanning DVD collection of 19 of the band’s videos on August 22.’VOID (Video Overview In Declaration)’ will include ’Mr. Ambulance Driver’ – the Grammy nominated promo taken from their eagerly awaited new album ’At War With The Mystics’, which is due for release in spring 2006. The song will also be heard on the soundtrack to the upcoming film ’Wedding Crashers’. Other videos set for inclusion on ’Void (Video Overview In Declaration)’ include ’Waiting For A Superman’ from 1999’s The Soft Bulletin’, ’Yoshimi Battles The Pink Robots’ the title track from their 2002 album, the 1994 single ’She Don’t Use Jelly’, along with both US and UK versions of ’Do You Realize?’. The band’s own long-awaited feature film, ’Christmas On Mars’ is tentatively scheduled for a mid-2006 release.
The full tracklisting for ’Void (Video Overview In Declaration)’ is:
* ‘Mr. Ambulance Driver’
* ‘SpongeBob And Patrick Confront The Psychic Wall Of Energy’
* ‘Fight Test’
* ‘Yoshimi Battles The Pink Robots’
* ‘Do You Realize?’ (UK Version)
* ‘Race For The Prize’
* ‘Waiting For A Superman’
* ‘This Here Giraffe’
* ‘When You Smile’
* ‘Bad Days’
* ‘Christmas At The Zoo’
* ‘Be My Head’
* ‘She Don’t Use Jelly’
* ‘Turn It On’
* ‘Frogs’
* ‘Talkin’ Bout The Smiling Deathporn Immortality Blues (Everyone Wants To Live Forever)’
* ‘Phoebe Battles The Pink Robots’
* ‘Are You A Hypnotist?’
* ‘Do You Realize?’ (US Version)

GET HEAVY GET MUSIC!!

Heavy.com produces compilation CDs every month called “Sumosonics.”Recently, they’ve launched a cool new deal where new subscribers to the Sumosonic program will receive their first month’s Sumosonic compilation CD entirely free courtesy of Heavy. More details can be found at
http://www.heavy.com/freeoffer

Kingblind Downloads

Various Four Tet Tracks
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The Cure:: Boys Don’t Cry
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Social Distortion:: Mommy’s Little Monster
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Bloc Party:: Pioneers (Music Video)
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Dischord issues full statement about Nike controversy

Many people have now noticed that Nike has appropriated the Minor Threat artwork and logo for a new skateboard demo / ad campaign. To set the record straight — Nike never contacted Dischord to obtain permission to use this imagery, nor was any permission granted. Simply put, Nike stole it and we’re not happy about it. We are not yet sure what options, if any, we have to stop Nike from using our images to sell their shoes, but if you would like to direct your complaints to Nike that would be a good place to start. To longtime fans and supporters of Minor Threat and Dischord this must seem like just another familiar example of mainstream corporations attempting to to assimilate underground culture to turn a buck. However it is more disheartening to us to think that Nike may be successful in using this imagery to fool kids, just beginning to becoming familiar with skate culture, underground music and DIY ideals, into thinking that the general ethos of this label, and Minor Threat in particular, can somehow be linked to Nike’s mission. In any regard, we would like to thank the many people who have written to us in the last several days to express their outrage, support and encouragement.

You can email Nike at this link or you can contact them by telephone at their world headquarters on weekdays from 6:30 am – 4:50 pm at this number: Nike World Headquarters: 1-800-344-6453

Kingblind’s Favorite Finds

Art Brat is a great little pop art retail e-store
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Stooges albums get expanded
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NIN, QOTSA, Flaming Lips, NY Dolls, LCD Soundsystem, Handsome Boy Modeling School, Decemberists slated for Voodoo Music Experience
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Kingblind Downloads

Emperor Jones Records (Various Artist)
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Sufjan Stevens: “The Man Of Metropolis Steals Our Hearts”
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Back by popular demand:: A LOAD of Brian Jonestown Massacre
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Death From Above 1979 – Luno
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Kingblind news that you can use

• Pop-punk act Rufio had its entired touring trailer stolen this week after a show in Montreal. With no insurance policy, the band is begging fans to help them make up the loss: “These people took our livelihoods and everything we have from us,” they wrote recently in a statement. The group has been opening for Alkaline Trio.

• In other band disaster news, Ash’s tour bus recently burst into flames. While traveling to San Francisco, the van began filling up with smoke. The fire was extinguished and another bus found; however, that bus also caught on fire, ending up in ashes. The luckless group eventually made it to the show – five hours late and sans equipment.

• Rhino is releasing a 100-song Ramones box set. Entitled Weird Tales of the Romanes, the three-disc (and DVD) package includes all the classics – “Blitzkrieg Bop,” “Judy is a Punk,” “I Wanna Be Sedated” – as well as loads of B-sides, videos, and covers. The box includes a comic book with tributes from 25 artists, including Rick Altergott, John Pound, and Sergio Aragones. Expected price is $65; more info at Rhino’s site. (NEWS VIA DOA)

The Best Albums of 2005 (So Far)

The first 6 months of 2005 have passed it looks like it’s turning out to be another GREAT year for music. Here’s our favorites so far. Our year end special will have the top 15 albums of the year. Mid year only gets a top 10 pick. (We promise that this order is REALLY going to change by year’s end. There are many great releases coming later in ‘05 so stay tuned.)

1) Spoon:: Gimme Fiction (Austin, TX)
Possible their finest hour.. A album that is a complete joy to listen to.
I Turn my camera on:: MP3
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2) The Hold Steady:: Separation Sunday (Brooklyn, NY via Minneapolis, MN)
Dark, Hopeless, Funny, Sad and totally brilliant.
Your little hoodrat friend:: MP3
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3) Bloc Party:: Silent Alarm (London, UK)
Part Gang of Four, Cure, Joy Division, Sonic Youth and more.. What a yummy mix!
The Answer:: MP3
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4) Kaiser Chiefs:: Employment (Leeds, UK)
Just a flat out fun pop record..
I predict a riot:: MP3
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5) Queens of the Stone Age:: Lullibies to Paralize (Palm Desert, CA)
RAWK!! Grohl and Nick may be gone but Josh is still mad as hell and we LOVE IT!
Little Sister:: Video
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6) Gorillaz:: Demon Days (London UK, Atlanta, GA)
Blur meets DJ Danger Mouse.. But it works… Their best release to date.
Feel Good Inc: Video
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7) Beck:: Guero (Los Angeles, CA)
Captain Silverlake is done being sad and has made a great soundtrack for summer.
E-Pro:: Video
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8) The White Stripes:: Get behind me satan (Detroit, MI)
Even at their worst they are better than most everyone else.
Blue Orchid:: Video
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9) The Ruby Doe:: Always with wings (Seattle, WA)
Thick hard intelligent rock.. Some of my favorite tunes in the car.
4 Album Tracks
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10) Crooked Fingers:: Dignity and Shame (Seatttle, WA via Chapel Hill, NC)
Just a flat out beautiful record.. Ex- Archers of Loaf front man really comes into his own.
Dignity and Shame:: MP3
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Other possible contenders for the years best:
The New Pornographers:: Twin Cinema (The return of the kings and queen of pop..)
LCD Soundsystem:: S/T (I said dance MuthaF**ker)
Low:: The Great Destroyer (Their hard rock record.. Well for Low that is.. GREAT!!)

Kingblind Downloads

Calexico – (KEXP live) (PW: BBCJ)
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Various Artists – 20 Years of Dischord (PW:mdl7213)
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Bloc Party: 2005-06-19, Washington (LIVE)
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Kraftwerk:: Live at Coachella Festival
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Clap your hands say yeah:: On Ice
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Sleater Kinney:: Entertain (MUSIC VIDEO)
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New Super Furry Animals Album !

Acclaimed Welsh quintet Super Furry Animals will release their seventh studio album, Love Kraft, this August 15th. Recorded over three weeks in Spain with a predominance of string arrangements and the occasional assistance of a 100-member Catalan choir, Love Kraft promises to be less overtly political than 2003’s Phantom Power. “The world is so ridiculously dark at the moment,” Frontman Gruff Rhys explains, “when you don’t know where to start politically it’s sometimes easier to become inward looking or to enter the world of the imagination.” Get the first inward look into SFA’s imagined world with the lead single “Laser Beam,” adding to radio August 2nd.

ELVIS COSTELLO:: KING OF AMERICA (RE-ISSUE ALBUM REVIEW)

1985 was Elvis Costello’s year, releasing not one, but two of his most cherished works. “Blood & Chocolate,” the rocking swansong with the Attractions, and “KING OF AMERICA,” a countrified, roots-rock extravaganza, featuring such legends as James Burton, Earl Palmer, Ray Brown, Jim Keltner, and Jerry Scheff as his backing band. “KING OF AMERICA” is regarded by many, to be Costello’s masterpiece. I don’t disagree. From the sway of the opener “Brilliant Mistake,” an instant classic, to such heartbreaking ballads as “Poisoned Rose,” and “I’ll Wear It Proudly,” with such shitkickers as “Lovable” and “The Big Light” thrown in along the way, KOA was Costello’s transition from the British punk who rode in on the mid 70’s New Wave, to respected adult, singer-songwriter. It was a sign of things to come, laying the foundation for Costello to be accepted, although not necessarily with welcome reviews, for experimenting and recording all genres of music, from jazz to classical over the coming years. Rhino Records’ reissue campaign continues with this release, adding an additional CD chock full of piano demos, outtakes, and b-sides, all of which are as strong as the finished product.
(Sal Nunziato-NYCD)

John Hiatt:: Master of Disaster (Album Review)

1987’s “Bring The Family” put John Hiatt on the map. Writing songs for others and releasing a bunch of decent, but somewhat forgettable albums from as early as 1974, it was Hiatt’s collaboration with Ry Cooder, Nick Lowe, and Jim Keltner on “Bring The Family” that opened the ears of just about everyone. A near-perfect release, very similar in style to Elvis Costello’s “King Of America.” Since then, Hiatt has unfortunately released too many records with too many of the same themes, sounds, and ideas. And his voice has not aged well, becoming more nasal than what is comfortable. At times he makes Dylan sound like Joni Mitchell. Sure, most of Hiatt’s mediocre releases are better than most people’s strong releases. And along the way, he has given us some damn fine music. (listen to “Crossing Muddy Water) But, the fact remains, Hiatt needs a winner. “Master Of Disaster” is that winner. Well…almost. Another collaboration, this time with the Dickinson boys, better known as the North Mississippi All Stars, Hiatt’s new record does not break any new ground. As a matter of fact, on first listen, you wouldn’t think it was a new record at all. But I stayed with it. I respect Hiatt and I’ve loved the work of the NMAS. To quote a friend of mine, “the new Hiatt is oddly terrific.” Still not sure what that means, but I agree. The record works. (review by Sal: NYCD)

Kingblind Turn On’s

Kingblind Turn On’s is our spot to highlight a great new band (or bands) that you need to know more about. We will have MP3’s, Tour info, videos and more of these new up and coming acts. We hope you enjoy them. Our bands this time around are INNAWAY & ESTHERO

About Innaway:: (Home Base:: Southern California)
Born from the kindling of myriad influences (Zeppelin and Floyd, Tortoise and Air), Innaway’s ambient sound is delicately layered with guitar rock sensibilities. The result: songs both eerily relaxed and starkly dynamic; a mushroom-fueled stroll from dusk to eve. Always a wall of sound and sonic harmony, Innaway has been blowing minds with its live performances up and down California for the past two years. Last year Innaway became the resident band at the Detroit Bar in Costa Mesa. They built a devoted following and impressed club owners by regularly bringing in large crowds on normally slow Monday nights. Most recently the band has played with notable bands like Pinback, Blonde Redhead, Dios Malos and the French Kicks.

Innaway: “Rise” mp3
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Innaway: “Rise” video
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Esthero:: (Home Base:: Toronto Canada)
Esthero was much more than a one-night stand. 1998’s Breath From Another was the catalyst that sparked a love movement in which the years that followed were spent waiting and longing for her return. Blessing us with gifts such as “Country Livin’ (The World I Know),” “Swallow Me” and “That Girl,” she was indeed “Heaven Sent.” Esthero was our breath of fresh air. Her voice – often imitated, never duplicated – reached a part of our souls that had previously remained dormant. She was our beacon of light. A sacred blend of jazz, hip-hop, soul, funk, and rock, Esthero became our best-kept secret. Well folks.. Now the secrets out of the bag.. Enjoy
Esthero: “We R In Need Of A Musical ReVoLuTioN” audio streams WM -
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QUICKTIME
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INNAWAY SUMMER TOUR:
6/26 Los Angeles, CA @ Silverlake Lounge (presented by FILTER MAG)
7/15 New York, NY @ Mercury Lounge w/ Robbers on High Street 7/20 New York,
NY @ Piano’s (presented by WIRED)
8/02 Hoboken, NJ @ Maxwell’s w/ Brian Jonestown Massacre
8/03 Philadelphia, PA @ Khyber w/ Brian Jonestown Massacre
8/04 Washington DC @ DC9 w/ Brian Jonestown Massacre
8/05 Chapel Hill, NC @ Local 506 w/ Brian Jonestown Massacre
8/06 Atlanta, GA @ Earl w/ Brian Jonestown Massacre
8/07 Orlando, FL @ Will’s Pub w/ Brian Jonestown Massacre 8/10 New Orleans,
LA @ TwiRoPa w/ Brian Jonestown Massacre
8/11 Houston, TX @ Walter’s on Washington w/ Brian Jonestown Massacre
8/12 Austin, TX @ The Parish (ex-The Mercury) w/ Brian Jonestown Massacre
8/15 Albuquerque, NM @ Launchpad w/ Brian Jonestown Massacre
8/16 Tucson, AZ @ Plush w/ Brian Jonestown Massacre
8/17 San Diego, CA @ Casbah w/ Brian Jonestown Massacre
8/18 Los Angeles, CA @ The Vanguard Theatre w/ Brian Jonestown Massacre

Esthero summer tour
07/02 Seattle, WA @ Chop Suey
07/03 Portland, OR @ Doug Fir Lounge
07/07 Jimmy Kimmel Live
07/08 San Francisco, CA @ The Fillmore
07/09 Hollywood, CA @ The Avalon
07/11 San Diego, CA @ House of Blues
07/12 Tempe, AZ @ Marquee Theatre
07/13 Denver, CO @ Soiled Dove
07/15 Minneapolis, MN @ The Quest
07/16 Chicago, IL @ The Metro
07/17 St. Louis, MO @ Duck Room
07/19 Atlanta, GA @ The Loft
07/21 New York, NY @ Irving Plaza
07/24 Washington, DC @ 9:30 Club
07/26 Philadelphia, PA @ TLA
07/27 New Haven, CT @ TBA
07/28 Boston, MA @ Paradise Rock Club
07/30 Cleveland, OH @ House of Blues
07/31 Detroit, MI @ St. Andrew’s Hall

Kingblind Downloads

White Stripes: NPR Fresh Air interview
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Lou Reed John Cale Nico – Bataclan Club Jan, 29 1972
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The Go Team! – Thunder Lightning Strike
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Black Flag – Damaged
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This day in Music

2000 – Industrial supergroup the Damage Manual is forced to scrap its North American tour, due to what an Invisible Records spokesperson describes as “continued processing delays of the band and crews’ U.S. visas.

1997 – Lawrence Payton, a member of the Four Tops who gave the Motown group its distinctive harmonies on hits such as “Baby I Need Your Loving” and “Reach Out (I’ll Be There),” dies from liver cancer at the age of 59.

1995 – Legendary country duo George Jones and Tammy Wynette release reunion album “One.”

1977 – No. 1 Pop Hit: “Got to Give It Up (Pt. 1),” Marvin Gaye.

1965 – No. 1 Pop Hit: “Mr. Tambourine Man,” The Byrds.

1953 – Cyndi Lauper is born in New York City. Her first single, “Girls Just Want to Have Fun,” sells more than 2 million copies and reaches No. 2 on Billboard’s Hot 100. Two later releases, “Time After Time” and “True Colors” top the chart.

1949 – Lionel Richie is born in Tuskegee, Ala., the son of a retired U.S. Army captain and a teacher. The former lead singer of the Commodores has five No. 1 hits, including “Endless Love.” That duet with Diana Ross sells more than 2 million copies and in 1981 tops Billboard’s Hot 100 for nine weeks, longer than any other duet.

1946 – Singer Anne Murray (Morna Anne Murray) is born in Springhill, Nova Scotia. Her biggest hit is the million-selling No. 1 single “You Needed Me” in 1978.

1942 – Brian Wilson is born in Ingleside, Calif. He is the leader, bassist, composer and producer of the surf-rock group the Beach Boys. He quits touring due to nervous exhaustion in 1965. His daughters, Carnie and Wendy, make up two-thirds of the trio Wilson Phillips.

Kingblind Download’s (Live Concert / Bootleg Edition)

16 Horsepower:: Tons of Live Shows
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Ash:: Various Live Shows
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Babyshambles:: Bootlegs
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Broken Social Scene:: LIVE
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Kingblind: Music news that you can use

* British rock act the Darkness has named Richie Edwards as its full-time bass player. For the past two years, Edwards has toured extensively with the band as its guitar technician. The former Onion Trump member has also assisted the Darkness with its equipment in the studio throughout the recording of its as-yet-untitled new album. Due in the fall, the set is the follow-up to follow-up to the Darkness’ multi-platinum debut “Permission To Land” (Must Destroy/Atlantic), which has sold 675,000 units in the United States, according to Nielsen SoundScan. The band had auditioned a number of potential bassists since the March departure of Frankie Poullain.

* Kinks leader Ray Davies has signed with V2, which will on Sept. 6 release his long-in-the-works, as-yet-untitled solo debut. A spokesperson says the track list has not been confirmed, but Davies has been performing a number of new tunes in recent live shows, including “The Morning After” and “The Tourist.”

Kingblind Downloads

Einstürzende Neubauten – Perpetuum Mobile
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Kings of Convenience:: Multiple Albums
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Rolling Stones:: LIVE (Various Concerts)
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Can – Tago Mago
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Dinosaur Jr.’s reunion outing sprouts Western a leg

Reunited noise-rockers Dinosaur Jr. (tickets | bio), who previously announced plans for a July tour of the East and Midwest, have now lined up a round of August shows in the western U.S. and Canada. The Western leg, which will wind its way north from Las Vegas to Vancouver, is scheduled to visit clubs in eight cities. Ticket on-sale information for the new dates, provided by the band’s publicist, is in the itinerary below. Pre-sale tickets will also be available; details are at the band’s website. Dinosaur Jr. announced in February that it was reuniting for a television performance and appearances at festivals in the U.K. and Japan. A North American tour announcement followed. Dinosaur Jr.’s original lineup–frontman/guitarist J. Mascis, bassist Lou Barlow and drummer Murph–split in 1989, though Mascis continued to record under the Dinosaur Jr. name for several more years. Merge Records reissued the first three Dinosaur Jr. albums–”Dinosaur,” “You’re Living All Over Me” and “Bug”–in March.
Dinosaur Jr. Tour Dates
July 2005
7 – Lake Buena Vista, FL – House of Blues
8 – Atlanta, GA – Variety Playhouse
9 – Norfolk, VA – The NorVa
10 – Carrboro, NC – Cat’s Cradle
11 – Washington, DC – 9:30 Club
12 – Northampton, MA – Pearl Street
13 – Philadelphia, PA – Electric Factory
14 – New York, NY – Central Park SummerStage
15 – Boston, MA – Avalon
16 – Quebec City, Quebec – Parc de la Francophonie
17 – Toronto, Ontario – Phoenix Concert Theatre
19 – Cleveland, OH – House of Blues
20 – Pontiac, MI – Clutch Cargo
21 – Covington, KY – Madison Theatre
22 – Milwaukee, WI – The Rave/Eagles Club
23 – Minneapolis, MN – Quest Club
24 – Chicago, IL – Grant Park (Lollapalooza)

August 2005
13 – Las Vegas, NV – House of Blues (on sale 6/25)
15 – San Diego, CA – Soma (on sale 6/25)
16 – Anaheim, CA – The Grove (on sale 6/25)
17 – Los Angeles, CA – Avalon (on sale 6/25)
18 – San Francisco, CA – The Fillmore (on sale 6/26)
19 – Portland, OR – Crystal Ballroom (on sale 6/25)
20 – Seattle, WA – Showbox (on sale 6/25)
22 – Vancouver, British Columbia (on sale 6/24)

Kingblind Downloads

GET THE NEW ALBUMS FROM ALL THESE BANDS!!
Audioslave: Out Of Exile
Billy Corgan
Black Eyed Peas
Coldplay: X and Y
Foo Fighters: In Your Honor
Oasis
The White Stripes
Weezer
AND MANY MORE.. HURRY LINK WON’T LAST VERY LONG!!!
CLICK TO DOWNLOAD

Thrill Jockey Signs Tom Verlaine

Thrill Jockey has signed Television singer/guitarist Tom Verlaine, whose label debut is expected in early 2006. In the meantime, Thrill Jockey is planning a fall reissue of Verlaine’s 1992 instrumental album, “Warm and Cool,” originally released by Rykodisc. “Warm and Cool” finds the artist backed by Television bassist Fred Smith and drummer Billy Ficca, as well as Patti Smith Band drummer Jay Dee Daugherty and bassist Patrick A. Derivaz. It was released a few months before Television’s self-titled comeback album for Capitol. The original 14-track album will be expanded with eight bonus tracks that comprise improvised “pieces that could have been much longer but for me had a charm being brief,” Verlaine says in the liner notes. Television has a handful of European dates on calendar this summer, including appearances next week at the Patti Smith-curated Meltdown Festival in London. (Via Billboard)
Here are Television’s tour dates:
June 20-21: London (Meltdown Festival)
June 22: Bristol, England (Academy)
June 23: Manchester, England (Academy 2)
July 15: Utrecht, Holland (Tivoli)
July 16: Mons, Belgium (Dour Festival)
July 17: Paris (Bataclan)

Kingblind Downloads

Man Or Astroman?:: 11/1/00 Maida Vale BBC Studios. London
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Spoon:: 6/7/05 Live in Boston
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Camper Van Beethoven: 2005-06-06, Milwaukee, WI
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Pixies: television compilation (NTSC) [dvd]
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Homme Sentenced for Brawl

QOTSA frontman must undergo anger management after attacking Dwarves singer Queens of the Stone Age singer Josh Homme has pleaded no contest to two counts of misdemeanor battery stemming from an attack on Dwarves singer Blag Dahlia at a November Dwarves show in Los Angeles. Homme was placed on summary probation for thirty-six months. He was also ordered to stay 100 yards away from Dahlia and the Dragonfly club (where the incident occurred), to not possess deadly weapons, to perform community service and to enroll in both an anger management program and a sixty-day residential rehab facility. (The records did not say what the rehab was for.) In exchange for Homme’s plea, two other charges (battery and assault with a deadly weapon) were dropped. Homme and Blag are former friends believed to have fallen out over Nick Oliveri, an ex-member of the Dwarves who was hired (and later fired) by QOTSA. The lyrics from “Massacre,” off the Dwarves’ 2004 CD The Dwarves Must Die, include: “This one goes out to Queens of the Trust Fund/You slept on my floor/And now I’m sleeping through your motherfucking records.” Oliveri appears on the track. Witnesses to the attack say Homme showed up backstage and poured a bottle of beer over Dahlia’s head while singing, “Whatcha gonna do?” A shoving match ensued, and Homme struck Dahlia over the head with the bottle. Despite the blow, Dahlia performed as planned. After the show, his wife drove him to Hollywood Presbyterian Medical Center, where he received stitches. Police were not called at the time, but security removed Homme from the venue. Dahlia (a.k.a. Paul Cafaro) pressed charges on December 29th.Homme is due back at the Hollywood Courthouse, Division 79, on July 27th to prove that he enrolled in both anger management and rehab.

Spoon:: Gimme Fiction (Album Review)

Like some sort of glorious indie-rock dairy farm, Spoon have been churning out the creamiest, oh the very creamiest of future indie-rock classics for over a decade, plying the world with the kind of artful, succinct pop that hoards of dull indie acts strive for and fail to produce with exhausting consistency. ‘Gimme Fiction’ is a nocturnal, introspective refinement of previous releases that still capitalises on Britt Daniel’s classic pop song writing and sonic inventiveness. Assorted studio noise, whispered words and brief pieces of sound you can’t place adorn these songs like subtle accessories. The strings that punctuate the brooding punch of ‘The Two Sides Of Monsieur Valentine’; Jim Eno’s concise, artful fills; Daniel’s mock-Prince falsetto that struts alongside ‘I Turn My Camera On’ – everything has air to breathe and space to inhabit. You know a good sound when you want to take out a second mortgage to buy headphones good enough to appreciate it. Not everything here is as fleeting as Spoon fans may have come to expect, however. While this works to the advantage for tracks like ‘My Mathematical Mind’ – a rumbling chorus-free piano epic that will probably kill live audiences – the ponderous, repetitive nature of ‘Was It You?’ feels almost throwaway and its curious background noise just fails to save it from obscurity. This is only a minor discrepancy, considering just how stellar these songs are at their best. The elastic bounce that consumes ‘The Delicate Place’ or the gently rollicking peacock strut of ‘Sister Jack’ are proof that Spoon are still masters of their craft. Look to the slow-burning opener ‘The Beast And Dragon, Adored’ for summary. “I’m going back to the water/Been land-locked too long” sings Britt – three years after ‘Kill The Moonlight’ and Spoon remain consistently inventive and engaging in both feeling and technique.

Teenage Fanclub to Tour North America

Scotish gods of pop.. Teenage Fanclub are coming back to the states.. DO NOT MISS THESE SHOWS!!
Dates:
07-18 Carrboro, NC – Cats Cradle
07-20 Washington, DC – 9:30 Club
07-22 New York, NY – Bowery Ballroom
07-23 New York, NY – Bowery Ballroom
07-25 Toronto, Ontario – Mod Theater
07-26 Detroit, MI – St. Andrew’s
07-27 Chicago, IL – Metro
07-28 Minneapolis, MN – First Ave.
08-02 Vancouver, British Columbia – Richard’s on Richards
08-03 Seattle, WA – Neumo’s
08-05 San Francisco, CA – BimboÕs
08-07 Los Angeles, CA – Knitting Factory
08-08 Solana Beach/San Diego, CA – Belly Up

This would be the best game experience EVER (That is if this was real)

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Kingblind Download’s

Pavement:: All My Friends
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Frank Black:: Monkey Gone to Heaven
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The Wrens – Shot Rock Splitter To God
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Kingblind Downloads

Kid Kraftwerk Super Dance! (Requires Win Media)
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The Fame:: Lost in You
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Weezer:: Undone (Rare early Weezer live video)
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RADIOHEAD BREAK SILENCE OVER NEW ALBUM

RADIOHEAD have broken the silence over their new album. Singer Thom Yorke has said sessions for their new album remind him of working on ‘Kid A’. The band recently regrouped to start rehearsing and recording new songs for the follow-up to 2003’s ‘Hail To The Thief’.The album, not due until next year, will be the band’s seventh. Yorke said that early sessions had seen the band changing the way they work, reminding him of the change between 1997 LP ‘OK Computer’ and ‘Kid A’. He said: “It’s going well. It’s a bit like ‘Kid A’ – we’re going through a period of change. But that’s good. We’ll get there” Songs touted for the record include ‘House Of Cards’, ‘Glass Flowers’, ‘Reckoner’ and ‘Arpeggi’. (via NME)

Kingblind Downloads

Mark E Smith and the Punched Out Ticket Collectors: “White Lightning”
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Robyn Hitchcock Live gigs
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Teenage Fanclub: “It’s All in My Mind” from Man-Made (Their new album)
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Smog:: A River Ain’t Too Much Love (Album Review)

A billion albums into his career and one knows what to expect from Smog. It’s country, alt-country, urbane folk, whatever you want to call it. Largely it’s usually great, but after the slight disappointment of previous LP ‘Supper’, it’s nice to hear that whilst doing the same thing as ever, this is in the highest bracket of that field’s work. ‘A River Ain’t Much Too Love’ is yet another collection of sombre-to-wistful vignettes, this time though, there’s chinks of lights streaming through the songs. By no means a party record, it’s at least midly infused with the summer. Bottles of gin in the park summer, but good weather nontheless. ‘The Well’ is positively jaunty with Bill Callahan offering the refrain “I watched that drip but it would not drop” in the midst of a down-home story about, well, a well. In fact, it’s so (relatively) upbeat that Smog let’s off a couple of “hoooos” as the temple reaches a previously-unheard of mid-tempo. ‘Rock Bottom Riser’ has a beautiful feel, with Callahan crooning of his adventures “diving, diving… diving”, all lullaby-led piano chords and sparse brush work. ‘I Feel Like The Mother Of The World’ is full of rusty ringing strings and wonderous notions of “when I was young I got into the bath with my sister” and has more life in it than many whole Smog albums previous. Fans of the shuffling, gossamer ‘barely-there’ Callahan will be well catered for with ‘In The Pines’ and ‘Drinking In The Dam’, a song which is filled with beautiful ghostly sighs, building to the sort of full-bodied tunes that so rarely get an look-in on Smog’s LPs. Pleasantly, ‘A River…’ is all the better for it. It’s never too late to introduce the joys of Smog to the world at large – there’s no real start and end to his body of work bar the banalities of chronology – and with ‘River Ain’t Too Much Love’, he’s reached another career peak to match that of 1999’s ‘Knock Knock’.

Kingblind Downloads

Iggy Pop live at the Ritz NY 1988
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LOADS of Modest Mouse Bootlegs
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Various Notwist tracks
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Coldplay:: Speed of Sound (Music Video)
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Pete Doherty Rips Into Franz Ferdinand

Pete DohertyPete Doherty has accused Scottish rockers Franz Ferdinand for plagiarising on their hit ‘Take Me Out’. The Babyshambles frontman has said that the band ripped off a Ringo Starr track. He believes the ‘Take Me Out’ features the same song structure as Ringo’s 1972 hit ‘Back Off Boogaloo’, reports Breaking News. He said: “’Take Me Out’s’ Ringo Starr, isn’t it? It’s exactly the same riff. “What was it Oscar Wilde said? Amateurs borrow but geniuses steal.”

The Mars Volta To Curate All Tomorrow’s Parties

The Mars Volta are set to curate this year’s All Tomorrow’s Parties Nightmare Before Christmas. The band will take charge of the event in December (2-4) and have put together an eclectic wish list of performers for the renowned weekender. Cedric Bixler said: “We are honoured and grateful to be given the chance to assemble a private mix tape and have it come to life. We are thrilled for the opportunity to play with some of our favourite bands, and hope you find our line up to be both intriguing and diverse.”
The confirmed acts so far are:
The Kills
Diamanda Galas
Cinematic Orchestra
Blnde Redhead
Jaga Jazzist
Weird War
Damo Suzuki (Can)
Beans
High On Fire
The Fucking Champs
Les Savy Fav
Michael Rother (Neu!)
Acid Mothers Temple
Battles and Mr Quintron
The Locust
Year Future
400 Blows
Subtitle
Kill Me Tomorrow

Kingblind Downloads

BRIGHT EYES ON LENO
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Coldplay: 2005-04-06, Amsterdam
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Local H: 2002-04-03, Detroit
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Kingblind Downloads

The Soundtrack of Our Lives:: 10/14/01 LIVE in Germany
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Sufjan Stevens:: Greetings from Michigan
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OST About A Boy (Soundtrack by Badly Drawn Boy)
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Jack White Marries Model From Stripes’ ‘Blue Orchid’ Video

Less than one week after the band surprised fans by announcing plans for a North American tour while in the wilds of Brazil comes an announcement that Stripes frontman Jack White has married model Karen Elson in the Brazilian city of Manaus. The band’s publicist confirmed a posting on WhiteStripes.com, which read, in part: “Karen Elson and Jack White were married yesterday (June 1) on the confluence of three rivers — the Rio Negro, the Solimones and the Amazon … by a traditional shaman priest on a canoe at the exact point where the three rivers met. … The ceremony was immediately followed by a blessing by a priest at a Catholic cathedral called Igreja Matric.” White Stripes manager Ian Montone served as White’s best man, while Stripes drummer Meg White was Elson’s maid of honor. If Elson looks a bit familiar to Stripes fans, well, perhaps they’ve caught a glimpse of the band’s new video, “Blue Orchid,” which features Elson as a ghostly apparition in ultra-high heels But as with most things Stripes-related, the news of Jack’s nuptials should be taken with a grain of salt. The wedding announcement concludes with the statement that “this is the first marriage for both newlyweds,” which isn’t true. In 2003 The Detroit Free Press uncovered a 1996 marriage document between Jack and Meg (filed under their real names, John Anthony Gillis and Megan Martha White). They were divorced four years later. But despite all that, the Stripes’ publicist insisted the announcement is true and that White and Elson are now officially married. White’s marriage comes less than a month after former girlfriend actress Renée Zellweger tied the knot with country musician Kenny Chesney in a surprise ceremony on the island of St. John in the U.S. Virgin Islands. (via MTV)

Kingblind Download’s

Alice Cooper’s Greatest Hits
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Oasis Rare Demos and B-Sides
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LCD Soundsystem on Letterman video
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Sonic Youth, Stereolab, JSBX and MUCH More
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Hundreds of 1900s-1930s MP3s
Here are MP3s made from hundreds of 78RPM discs recorded between 1900 and 1930. Included are notes on the transfer process and discographic information.
CLICK TO DOWNLOAD (via boing boing)

Publisher sues Warner Music over Waits tunes

LOS ANGELES (Hollywood Reporter) – Third Story Music, a Los Angeles-based music publishing firm and the successor to the production company that managed singer-songwriter Tom Waits early in his career, has filed a federal suit against Warner Music Group, alleging that Waits has been shortchanged on the sale of digital downloads. The action, filed in U.S. District Court for the Central District of California in Los Angeles on Tuesday, stems from 1972 and 1977 contracts signed by Third Story principal Herb Cohen and Warner-owned Asylum Records regarding Waits’ services. The Waits recordings at issue include such early albums as “Closing Time,” “The Heart of Saturday Night,” “Small Change” and “Heartattack and Vine.” According to the suit, under the terms of the two contracts, Waits was entitled to royalties of either 25% or 50% from revenues derived from third-party licenses. Third Story maintains that digital music downloads constitute a form of third-party license, and that Waits is entitled to payment at that level. In 2003-04 royalty statements to Third Story, WMG computed royalties from Waits’ digital download sales at the same (and much lower) rate as royalties from the sale of physical product. Under the terms of the ’70s Asylum contracts regarding album sales, Waits would be entitled to either 9% or 13% of the 67 cents received by WMG from each 99-cent download. The action says that in February, Third Story sent a formal notice questioning the accuracy of royalty statements to WMG. The music company replied in March that downloads “are sold to customers such as iTunes and Listen.com just as physical product is sold to…Best Buy and Virgin.” Third Story seeks a declaration that compensation for downloads is governed by the third-party license provisions of the Asylum agreements, and damages in an amount to be determined. A spokeswoman for WMG, which recently went public about a year after being sold to a private investor group by Time Warner Inc., said the company had no comment.

Listen to the entire new Coldplay album X&Y

Stream the entire album by CLICKING HERE Enjoy!!

Kingblind.com Presents:: Rock & Roll High School

Kingblind.com brings ROCK & ROLL HIGH SCHOOL to the West Coast. That’s right kids come hear DJ Kingblind and DJ Teenage Rampage Spin the best in Punk, Glam, Rock, Funk and Soul… All for free on Wednesday June 1st 2005 at The Bus Stop bar in Seattle, WA at 508 E. Pine St. (Capital Hill Neigborhood- Next to Bimbo’s) from 9pm till ??? for complete up to the minute details check out our online flyer HERE

Kingblind Downloads

The Fiery Furnaces:: Gallowsbird’s Bark
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Doves:: Some Cities
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Pavement:: Wowee Zowee
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Mars Volta Reunite With At The Drive-In Bassist.

Bassist Paul Hinojos didn’t just leave Sparta last week, he also joined the Mars Volta. On Thursday, Sparta fans learned about the sudden departure of Hinojos through a brief posting on the emo-inspired quartet’s Web site, but were left in “My time with Sparta has run its course and simply wasn’t fun anymore.” — Mars Volta’s Paul Hinojos the dark as to the why behind his unexpected exit. In the online posting, Sparta merely wished Hinojos well, and revealed the group’s immediate intentions to carry forth as a trio — at least until a suitable replacement could be found to fill the void. This weekend, the impetus behind Hinojos’ exodus was no longer a mystery. The Sparta faithful learned Hinojos had accepted an invitation from prog-punk pioneers the Mars Volta, to assume the sound manipulation duties of the late Jeremy Ward, who passed away on May 25, 2003 from an apparent drug overdose. Hinojos’ band-hopping invokes breakup concerns for Sparta’s dedicated fans — though the band’s Web site maintains that all is well, and that the remaining members will continue with the recording of the outfit’s forthcoming third record — while the bassist’s introduction to the Volta makes that band that much stronger. Both the Mars Volta and Sparta rose from the ashes of beloved fiery indie punk band At the Drive-In. Three of that band’s five members — Hinojos, guitarist Jim Ward and drummer Tony Hajjar — teamed up to launch Sparta, while the group’s two most prominent members — vocalist Cedric Bixler Zavala and guitarist Omar Rodriguez-Lopez — carried on to forge the Volta. The recent addition of Hinojos tips the Drive-In scale in the Volta’s favor. A posting on the Mars Volta’s Web site said, “Hinojos’ role within the band will initially be confined to the offstage audio acrobatics that Ward had become renowned for,” but that he’ll “eventually share the stage with his bandmates during live performances.” “My time with Sparta has run its course and simply wasn’t fun anymore,” the posting quotes Hinojos as saying. Hinojos had been summoned to assist the Mars Volta once before, by filling in for Ward during the group’s 2003 tour. “We’ve been friends since we were kids, played in bands together for years, and Paul was close to Jeremy,” Rodriguez-Lopez said in the statement. “It’s always been clear to me that Paul was the only person who’d be appropriate to take Jeremy’s place and fill what we feel is an integral role within the band.” (Chris Harris/MTV)